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     Jazz Icons Charles Mingus Live in '64

     21 Aug 2021

     52K views

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     39:18

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     Charles Mingus ‎– Mingus (1960)

     26 Sep 2017

     56.8K views

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     9:03

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     Charles Mingus - Moanin'

     19 Dec 2007

     26.6M views

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2. www.youtube.com › watchCharles Mingus - A Modern Jazz Symposium Of Music ... - YouTube

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   Jun 29, 2017 · Charles Mingus - A Modern Jazz Symposium Of Music And Poetry (1957) (Full Album) Jazz Time with Jarvis X. 87.2K subscribers.

3. www.youtube.com › watchCivil Rights Through Jazz: The Life and Legacy of ... - YouTube

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   A video exploring the impact of Charles Mingus on civil rights through his jazz music, presented by Nick Rossi.

   • Video Duration: 7 min
   • Views: 1880

   • Author: Nick Rossi

4. www.youtube.com › watchCHARLES MINGUS (Angry man of jazz?) Jazz History #58 - YouTube

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   A profound composer and powerful bassist, Mingus' personal story is at times disturbing, and his reputation as the 'angry man of jazz' was well earned, but his mark on the history of jazz is ...

   • Video Duration: 39 min
   • Views: 4.5K

   • Author: Chase Sanborn

5. www.youtube.com › watchCharles Mingus - Fables of Faubus - YouTube

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   ♫ Listen to the full album on Youtube → http://bit.ly/2pLHGiY Subscribe to Jazz Everyday → http://bit.ly/1Ydc0dN

   • Video Duration: 8 min
   • Views: 787

   • Author: Jazz Everyday!

6. www.youtube.com › watchAppreciating the Genius of Charles Mingus' 'Mingus ... - YouTube

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   Mar 10, 2023 · Welcome to The Jazz Connoisseur YouTube channel, where we explore the timeless music of jazz legends. In this video, Joe reviews the famous jazz album "Mingus Ah Um" by Charles...

   • Video Duration: 11 min
   • Views: 98

   • Author: The Jazz Connoisseur

7. www.jstor.org › stable › 30041899Outrageous Freedom: Charles Mingus and the Invention of the ...

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   Where Did the "Free" in Free Jazz Come From? THE MUSIC WAS ARGUABLY BORN ON 30 JANUARY 1956, A WELL-NIGH APOCALYPTIC moment when jazz composer Charles Mingus set in motion a novel but durable experiment in musical orchestration and simultaneously un-veiled a menacing critique of modernist authority. Mingus had as-sembled his Jazz Workshop in ...

8. People also ask

   What was Mingus music like?

   • As Johnson tells John Goodman in Mingus Speaks, a book of interviews with Mingus and friends conducted in the early 1970s, Mingus’s music was a lot like his soup: a “huge cauldron of sounds” that was “always in a state of becoming something.” By John F. Goodman. His World as Composed by Mingus. By Charles Mingus. Mosaic Records. 7 CDs. $119.

   An Argument With Instruments: On Charles Mingus | The Nation

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   What does it mean to listen to Mingus?

   • To listen to Mingus is to hear the black American musical tradition talking to itself. Jazz had always been an art of quotation and allusion, a palimpsest of commentaries on other musicians’ interpretations of the same material.

   An Argument With Instruments: On Charles Mingus | The Nation

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   Did Mingus leave his pieces alone?

   • Mingus rarely left his pieces alone when he took them on the road with his Jazz Workshop, as he began calling his bands in the mid-1950s.

   An Argument With Instruments: On Charles Mingus | The Nation

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   Was Mingus a conservative?

   • Mingus’s reverence for the tradition—and his mockery of free jazz musicians as unschooled dilettantes—made it easy to mistake him for a conservative: a “black Stan Kenton,” in the dismissive phrase of Amiri Baraka (then LeRoi Jones), the high priest of black nationalist jazz critics.

   An Argument With Instruments: On Charles Mingus | The Nation

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   What is Charles Mingus presenting?

   • His 1960 session Charles Mingus Presents Charles Mingus features a pianoless quartet that ventured even further from Mingus’s melodies than Coleman did from his, as if Mingus were bent on proving that he was more modern than the avant-garde.

   An Argument With Instruments: On Charles Mingus | The Nation

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   Did Mingus want to be a slave to bebop?

   • Mingus was second to no one in his admiration of Parker, who, as he wrote later, achieved “a primitive, mystic, supra-mind communication that I’d only heard in the late Beethoven quartets, and, even more, in Stravinsky.” But Mingus didn’t want to be a slave to bebop. He wanted to be known as a composer, not as a bass-slapping jazz man.

   An Argument With Instruments: On Charles Mingus | The Nation

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9. www.thenation.com › article › archiveAn Argument With Instruments: On Charles Mingus - The Nation

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   Sep 17, 2013 · For the next five years, Mingus was sunk in gloom. The young people who’d followed him at the Five Spot had moved on to the wilder shores of free jazz and rock, and he felt abandoned.