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  1. Where Did the "Free" in Free Jazz Come From? THE MUSIC WAS ARGUABLY BORN ON 30 JANUARY 1956, A WELL-NIGH APOCALYPTIC moment when jazz composer Charles Mingus set in motion a novel but durable experiment in musical orchestration and simultaneously un-veiled a menacing critique of modernist authority. Mingus had as-sembled his Jazz Workshop in ...

  2. Sep 17, 2013 · Mingus’s reverence for the tradition—and his mockery of free jazz musicians as unschooled dilettantes—made it easy to mistake him for a conservative: a “black Stan Kenton,” in the ...

  3. Mar 1, 2002 · This biography leaves no doubt that Charles Mingus was a major figure in the history of jazz and American music. He was a bassist without peer, a seminal influence on contemporary musicians, and the leader of a number of legendary jazz workshops, combos, and big bands.

    • Gene Santoro
    • 2000
  4. His compositions retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of third stream, free jazz, and classical music. He once cited Duke Ellington and church as his main influences.

    • Music Division, Library of Congress
    • Charles Mingus Collection
  5. Oct 26, 2018 · The early 1960s found Mingus standing on the outside of the free jazz clique, staring at it with a mixture of curiosity, envy, and disdain. Mingus’s roots in the jazz tradition and his impulses as a composer prevented him from fully accepting atonality and open structures, yet his fondness for new sounds motivated him to find some common ...

  6. Jan 21, 2022 · Many jobbing jazz bands fear Mingus – only Goodbye Pork Pie Hat has been adopted as a common standard. Although compositionally he has often been compared to Duke Ellington, Mingus was never concerned with becoming a fixture of the Great American Songbook.

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  8. Dec 22, 2015 · He combined New Orleans jazz, blues and gospel in a bebop setting, and at the same time prepared the way for Miles Davis’s modal work (with his use of pedal points and ostinati patterns) and free jazz (with his rhythmic and ensemble devices).

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