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Where Did the "Free" in Free Jazz Come From? THE MUSIC WAS ARGUABLY BORN ON 30 JANUARY 1956, A WELL-NIGH APOCALYPTIC moment when jazz composer Charles Mingus set in motion a novel but durable experiment in musical orchestration and simultaneously un-veiled a menacing critique of modernist authority. Mingus had as-sembled his Jazz Workshop in ...
Sep 17, 2013 · Mingus’s reverence for the tradition—and his mockery of free jazz musicians as unschooled dilettantes—made it easy to mistake him for a conservative: a “black Stan Kenton,” in the ...
Apr 14, 2023 · Mingus often challenged the racial politics of jazz culture and the music industry, as well as critiquing the absurdity of segregation and segregationists like Governor Orval Faubus. He understood himself as a black man in a white world.
Jan 21, 2022 · Many jobbing jazz bands fear Mingus – only Goodbye Pork Pie Hat has been adopted as a common standard. Although compositionally he has often been compared to Duke Ellington, Mingus was never concerned with becoming a fixture of the Great American Songbook.
- Deb Grant
Dec 9, 2023 · Mingus, who ended up tired and disillusioned with the music business, and who was not an admirer of free jazz, and was forever fearless and tirelessly independent. The artist could soothe...
At eight years old, Mingus heard the melodic voice of Duke Ellington over the radio, and soon developed a serious passion for jazz music. As a teenager, Mingus began to study “double bass and composition in a formal way,” while simultaneously absorbing first hand a vernacular for jazz through some of the earlier greats.
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His compositions retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of third stream, free jazz, and classical music. He once cited Duke Ellington and church as his main influences.
