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Where Did the "Free" in Free Jazz Come From? THE MUSIC WAS ARGUABLY BORN ON 30 JANUARY 1956, A WELL-NIGH APOCALYPTIC moment when jazz composer Charles Mingus set in motion a novel but durable experiment in musical orchestration and simultaneously un-veiled a menacing critique of modernist authority. Mingus had as-sembled his Jazz Workshop in ...
Dec 9, 2023 · Mingus, who ended up tired and disillusioned with the music business, and who was not an admirer of free jazz, and was forever fearless and tirelessly independent. The artist could soothe...
Jul 10, 2023 · Tenor saxophonist George Adams blew howling free jazz solos, gut bucket blues and sanctified gospel and had a way with a rapturous ballad like Mingus' bow to the master called "Duke Ellington's...
- Kevin Whitehead
His compositions retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of third stream, free jazz, and classical music. He once cited Duke Ellington and church as his main influences.
- Music Division, Library of Congress
- Charles Mingus Collection
At eight years old, Mingus heard the melodic voice of Duke Ellington over the radio, and soon developed a serious passion for jazz music. As a teenager, Mingus began to study “double bass and composition in a formal way,” while simultaneously absorbing first hand a vernacular for jazz through some of the earlier greats.
Mingus chafed at being called a jazz composer and disparaged the term “jazz” altogether. “Don’t call me a jazz musician,” he said in 1969. “The word jazz means… discrimination, second-class citizenship, the back-of-the-bus bit.”. Accordingly, his music moved beyond the confines of traditional jazz.
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Oct 26, 2018 · The early 1960s found Mingus standing on the outside of the free jazz clique, staring at it with a mixture of curiosity, envy, and disdain.
