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Where Did the "Free" in Free Jazz Come From? THE MUSIC WAS ARGUABLY BORN ON 30 JANUARY 1956, A WELL-NIGH APOCALYPTIC moment when jazz composer Charles Mingus set in motion a novel but durable experiment in musical orchestration and simultaneously un-veiled a menacing critique of modernist authority. Mingus had as-sembled his Jazz Workshop in ...
- Pithecanthropus Erectus. From the album Pithecanthropus Erectus – Rec: 1956. Sounding as radical today as at the time of release, this Charles Mingus song is a tone poem that he said depicted the rise and fall of man.
- Haitian Fight Song. From the album The Clown – Rec: 1957. One of the most vital elements of Mingus’s writing is it’s deep connection to the blues and early jazz, whilst anticipating some of the developments of the free jazz of the 1960s.
- Ysabel’s Table Dance. From the album Tijuana Moods – Rec: 1957. Recorded just months after The Clown but not released until 1962, the album Tijuana Moods hints at some of the musical ideas that Mingus would follow up a few years later with his epic The Black Saint & The Sinner Lady (1963).
- Wednesday Night Prayer Meeting. From the album Blues & Roots – Rec: 1959. The Charles Mingus album Blues & Roots features a larger band than usual (even for him!)
In the recording below, you can actually hear the atmosphere in the concert hall change as they realize the true intentions of the song. Here's the story of how John Coltrane, Charles Mingus, Nina Simone and other jazz pioneers made their voices heard during the civil rights movement.
Sep 17, 2013 · Mingus’s reverence for the tradition—and his mockery of free jazz musicians as unschooled dilettantes—made it easy to mistake him for a conservative: a “black Stan Kenton,” in the ...
Jul 8, 2019 · Mingus, facing the Hudson River in a wheelchair, turned and Mitchell recalled a face that “shone up at [her] with a joyous mischief. I liked him immediately”. Mingus was playful, good-humouredly admonishing Mitchell for an out-of-tune string section in Paprika Plains.
His compositions retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of third stream, free jazz, and classical music. He once cited Duke Ellington and church as his main influences.
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Apr 21, 2022 · Charles Mingus was everything all at once: jazz, folk, dance, theater, label owner, brave Black man. In an era where the wrong opinions could get him killed or, at the very least, exiled from...
