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      • Calder began painting and sculpting in the abstract. In 1931 he accepted an invitation to join the influential Abstraction-Creation group. That same year he exhibited his first abstract wire works and produced his initial, groundbreaking mechanized sculptures, pioneering kinetic art.
      www.theartstory.org/artist/calder-alexander/
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  2. Summary of Alexander Calder. American artist Alexander Calder redefined sculpture by introducing the element of movement, first through performances of his Cirque Calder and later with motorized works and, finally, with hanging works called "mobiles."

    • American
    • July 22, 1898
    • Lawnton, Pennsylvania
    • November 11, 1976
  3. Alexander Calder (born July 22, 1898, Lawnton, Pennsylvania, U.S.—died November 11, 1976, New York, New York) was an American artist best known for his innovation of the mobile suspended sheet metal and wire assemblies that are activated in space by air currents.

    • Lynne Warren
  4. On April 27, 1931, at the Galerie Percier on the Right Bank of Paris, Alexander Calder presented some 20 pieces of abstract sculpture that would turn out to be a game changer—for Calder,...

    • Jed Perl
    • how did calder become a sculptor summary1
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  5. Jan 18, 2019 · Alexander Calder (July 22, 1898 – November 11, 1976) was one of the most prolific, recognizable, and beloved American artists of the 20th century. He was a pioneer of kinetic sculpture or mobiles: works with discreet moving parts.

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    • how did calder become a sculptor summary5
  6. Alexander Calder was an American artist. He was born in 1898 in Pennsylvania, USA and died in 1976. Sculptures are usually still as people walk around them, but Calder's sculptures move.

  7. Aug 14, 2023 · Inspired by the Dutch artist’s abstract style, Calder began experimenting with wire sculpture, pioneering a novel art form that would come to define his career. His early mobiles, propelled by motors and air currents, demonstrated a keen understanding of balance, movement, and space.

  8. The small maquette, the first step in the production of a monumental sculpture, was considered by Calder a sculpture in its own right. Larger works used the classic enlargement techniques of traditional sculptors, including his father and grandfather.

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