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1952 Venice Biennale
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- Calder won first prize at the 1952 Venice Biennale, which catapulted him to fame and was the catalyst for several high-profile public commissions around the world, including the massive mobile piece Flight installed at John F. Kennedy International Airport in New York City.
www.sothebys.com/en/articles/21-facts-about-alexander-calder21 Facts About Alexander Calder | Contemporary Art | Sotheby’s
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Alexander Calder was an American artist best known for his innovation of the mobile suspended sheet metal and wire assemblies that are activated in space by air currents. Visually fascinating and emotionally engaging, those sculptures—along with his monumental outdoor bolted sheet metal stabiles,
- Lynne Warren
Alexander Calder is known for inventing wire sculptures and the mobile, a type of kinetic art which relied on careful weighting to achieve balance and suspension in the air. Initially Calder used motors to make his works move, but soon abandoned this method and began using air currents alone.
In 1926, after showing paintings at The Artists' Gallery in New York he moved to Paris. Once there, he began making the moving figures that would become Cirque Calder (1926-31), a unique body of Performance art. He also began using wire to produce linear portraits and figurative sculptures.
- American
- July 22, 1898
- Lawnton, Pennsylvania
- November 11, 1976
In the early 1930s, inspired by the color and composition of Piet Mondrian's work, Calder created his breakthrough mobiles. At first these abstract sculptures were motorized; later Calder modified his design to allow free-floating movement, powered only by air currents.
Alexander Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Nov 27, 2017 · The premise of his project is that Calder is not a minor artist but seems so only because he has never slotted neatly into a fixed story of modernism. Calder fits neither the Clement Greenberg ...
Jan 8, 2018 · In 1926, Calder moved to Paris to pursue an artistic career. There, he began to sculpt a miniature circus out of wire, cork, fabric, a repurposed eggbeater, crimped candy wrappers, and other odd scraps. Acting as ringmaster in front of an audience, Calder would pull the strings or turn the cranks that activated his tiny performers.
