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On April 27, 1931, at the Galerie Percier on the Right Bank of Paris, Alexander Calder presented some 20 pieces of abstract sculpture that would turn out to be a game changer—for Calder, for the...
- Jed Perl
- The term ‘drawing in space’ was first used to describe Calder’s wire sculpture. It is commonly believed that artist Julio González coined the term ‘drawing in space’ in 1932, when he wrote about Pablo Picasso’s iron sculptures of 1928, which Picasso had adapted from some of his earlier line drawings.
- He invented the mobile. The idea of a mobile is now so ingrained in the collective imagination that it is difficult to believe there was a time when it did not exist.
- Duchamp wasn’t the only artist to name Calder’s objects. After he heard that Duchamp had dubbed Calder’s moving objects mobiles, their mutual friend, the abstract artist Jean Arp, sardonically asked Calder, ‘Well, what were those things you did last year — stabiles?’
- In 1943 he was the youngest artist ever to receive a retrospective of his work at the Museum of Modern Art in New York. In 1929 Abby Aldrich Rockefeller founded the Museum of Modern Art in New York.
- Summary of Alexander Calder
- Accomplishments
- Biography of Alexander Calder
American artist Alexander Calder redefined sculpture by introducing the element of movement, first through performances of his Cirque Calderand later with motorized works and, finally, with hanging works called "mobiles." In addition to his abstract mobiles, Calder also created static sculptures, called "stabiles," as well as paintings, jewelry, th...
Many artists made contour line drawings on paper, but Calder was the first to use wire to create three-dimensional line "drawings" of people, animals, and objects. These "drawings in space" introdu...Calder shifted from figurative linear sculptures in wire to nonobjective forms in motion by creating the first mobiles. Composed of pivoting lengths of wire counterbalanced with thin metal elements...Childhood
Alexander Calder was born into a long line of sculptors, being part of the fourth generation to take up the art form. Constructing objects from a very young age, his first known art tool was a pair of pliers. At eight, Calder was creating jewelry for his sister's dolls from beads and copper wire. Over the next few years, as his family moved to Pasadena, Philadelphia, New York, and San Francisco, he crafted small animal figures and game boards from scavenged wood and brass, and in 1909, he mad...
Early Training
In 1922, he took evening drawing classes at the 42nd Street New York Public School. The next year he studied painting at the Arts Students League (1923-1925), with John Sloan and George Lukswhile working as an illustrator for the National Police Gazette. An assignment to illustrate acts at the Ringling Brothers and Barnum & Bailey Circus led to his interest in the circus. In 1926, after showing paintings at The Artists' Gallery in New York he moved to Paris. Once there, he began making the mo...
Mature Period
In the late 1920s Calder created more figurative oil paintings, but a 1930 visit to Piet Mondrian'sstudio led Calder to shift from figuration to abstraction permanently. Upon entering the studio, Calder became fixated on the overall space and the colored cardboard rectangles covering one of the walls: he said he would like to make them “oscillate.” Calder began painting and sculpting in the abstract. In 1931 he accepted an invitation to join the influential Abstraction-Creation group. That sa...
- American
- July 22, 1898
- Lawnton, Pennsylvania
- November 11, 1976
Alexander Calder (born July 22, 1898, Lawnton, Pennsylvania, U.S.—died November 11, 1976, New York, New York) was an American artist best known for his innovation of the mobile suspended sheet metal and wire assemblies that are activated in space by air currents.
- Lynne Warren
Alexander Calder is known for inventing wire sculptures and the mobile, a type of kinetic art which relied on careful weighting to achieve balance and suspension in the air. Initially Calder used motors to make his works move, but soon abandoned this method and began using air currents alone.
Alexander Calder (/ ˈkɔːldər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
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In the early 1930s, inspired by the color and composition of Piet Mondrian's work, Calder created his breakthrough mobiles. At first these abstract sculptures were motorized; later Calder modified his design to allow free-floating movement, powered only by air currents.
