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1. japansociety.org › film › hiroshi-shimizu-thePart II: The Postwar and Independent Years - Japan Society

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   Shimizu’s postwar filmography encapsulates the everyday tragedies of life, the delicate sentiments of love and loss in the wake of the war, and the pains that befall common people—from the hardships of motherhood to the ostracization of disability.

2. bampfa.org › program › hiroshi-shimizu-notesHiroshi Shimizu: Notes of an Itinerant Director - BAMPFA

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   One of the great directors of the Golden Age of Japanese cinema, Hiroshi Shimizu depicts the struggles of people on the margins with a light touch, avoiding melodrama and inflecting even the most serious stories with humor and profound humanity.

3. movingimage.org › series › hiroshi-shimizuHiroshi Shimizu - Museum of the Moving Image

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   Presented at the Museum, Part I: The Shochiku Years gathers the best films of Shimizu’s protean and varied career with the studio from his stark, strikingly modernist early melodramas, both silent and sound, through the lyrical tours of provincial life with which he would become chiefly associated.

4. www.screenslate.com › articles › hiroshi-shimizuHiroshi Shimizu: Notes of an Itinerant Director | Screen Slate

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   Born in 1903, Hiroshi Shimizu, like his colleagues and friends Yasujiro Ozu and Kenji Mizoguchi, is a titanic figure in the development of the early Japanese film industry.

5. japansociety.org › events › image-of-a-motherImage of a Mother — Japan Society

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   New English Subtitles by Japan Society. The final film in the thirty-plus year career of Hiroshi Shimizu, Image of a Mother returns to the familiar subject matter of child and parent, a favorite preoccupation of the master filmmaker.

6. www.theyshootpictures.com › shimizuhiroshiHiroshi Shimizu - TSPDT

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   A curious, compassionate storyteller who was fascinated by characters on the outskirts of society, Shimizu used his trademark graceful traveling shot to peek around the corners of contemporary Japan." - The Criterion Collection.

7. People also ask

   Who is presenting Hiroshi Shimizu?

   • Hiroshi Shimizu is co-presented with Museum of the Moving Image, the National Film Archive of Japan, and Japan Foundation, New York. Hiroshi Shimizu – Part II: The Independent and Postwar Years is generously supported by The John and Miyoko Davey Endowment Fund for Classic Japanese Film.

   Hiroshi Shimizu – Part II: The Postwar and Independent Years

   japansociety.org/film/hiroshi-shimizu-the-postwar-and-independent-years/

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   Who is Hiroshi Shimizu?

   • Declared a genius by Kenji Mizoguchi, Hiroshi Shimizu remains one of the forgotten masters of Japanese cinema. Distinguished by his loosely sketched plots and roaming camera, Shimizu’s worlds are suffused with an innate naturalism and a lyrical humanism that observes the journeys of children, outcasts and travelers alike.

   Hiroshi Shimizu – Part II: The Postwar and Independent Years

   japansociety.org/film/hiroshi-shimizu-the-postwar-and-independent-years/

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   What is Shimizu's postwar filmography?

   • Shimizu’s postwar filmography encapsulates the everyday tragedies of life, the delicate sentiments of love and loss in the wake of the war, and the pains that befall common people—from the hardships of motherhood to the ostracization of disability.

   Hiroshi Shimizu – Part II: The Postwar and Independent Years

   japansociety.org/film/hiroshi-shimizu-the-postwar-and-independent-years/

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   When does Shimizu's 'postwar and independent years' release?

   • Part II: The Postwar and Independent Years opens at Japan Society on May 16 and will illuminate Shimizu’s output after his departure from Shochiku, particularly the trilogy of films he made with the orphans he personally adopted and brought up after World War II.

   Hiroshi Shimizu Part I: The Shochiku Years – Museum of the Moving Ima…

   movingimage.org/series/hiroshi-shimizu/

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8. reverseshot.org › features › 3223Features - Reverse Shot

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   May 2, 2024 · The traveling shot is at the heart of Hiroshi Shimizu’s cinema. His camera glides alongside people as they walk, or tracks backward as they advance down a road. Scenes unspool at the pace of strollers and pilgrims, chatting pairs of women, itinerant workers on their way to the next job.