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Shimizu’s postwar filmography encapsulates the everyday tragedies of life, the delicate sentiments of love and loss in the wake of the war, and the pains that befall common people—from the hardships of motherhood to the ostracization of disability.
An unsung master of Japanese cinema, Hiroshi Shimizu (1903–1966) was highly regarded by contemporaries Yasujirō Ozu and Kenji Mizoguchi for his seemingly effortless formal ingenuity, distinguished by his signature linear traveling shots and his naturalistic, open-air depictions of regional Japan.
On 17 th February 2021, the dermatology community lost one of its greatest global citizens, Professor Hiroshi Shimizu. After serving for 21 years as Professor and Chairman of the Department of Dermatology in Hokkaido University School of Medicine in Sapporo, Hiroshi retired in 2020.
The final film in the three decade-long career of Hiroshi Shimizu, Image of a Mother is an apt farewell, remaining true to Shimizu’s central themes as a young boy must learn to form a relationship with his new stepmother.
Drawing from a retrospective organized by the Japan Society and the Museum of the Moving Image in New York, Hiroshi Shimizu: Notes of an Itinerant Director offers a chance to rediscover the work of one of the great directors of the golden age of Japanese cinema.
The most celebrated of Hiroshi Shimizu’s postwar output, Children of the Beehive is a momentous work depicting the shattered state of Reconstruction-era Japan. A nameless soldier repatriated to his occupied country undertakes a cross-country odyssey as he brings a ragtag band of orphans to the Introspection Tower, the reformatory school of ...
Apr 15, 2004 · Shimizu develops this theme further in his lyrical 1933 film, Japanese Girls at the Harbor. Here, he places the Western-Japanese encounter at the center of his narrative and imagery. Most of the film's action takes place in Yokohama, the great Japanese port city where East and West meet.
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