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With over 160 films directed over a 35-year-career that spanned the silent era into the golden age of Japanese cinema, Shimizu is distinguished by his unconventional approach to plotting—one loosely sketched and carefree—and a roaming camera that drifts through the open airs of provincial Japan.
On 17 February 2021, the dermatology community lost one of its greatest global citizens and ambassadors, Professor Hiroshi Shimizu. After serving for 21 years as Professor and Chairman of the Department of Dermatology in Hokkaido University School of Medicine in Sapporo, Japan, Hiroshi retired in 2020. Sadly, his retirement was cut short and ...
- John A. McGrath, Masayuki Amagai
- 2021
Drawing from a retrospective organized by the Japan Society and the Museum of the Moving Image in New York, Hiroshi Shimizu: Notes of an Itinerant Director offers a chance to Born in 1903 (the same year as Yasujiro Ozu), Hiroshi Shimizu made some 150 films between 1924 and 1959.
The final film in the three decade-long career of Hiroshi Shimizu, Image of a Mother is an apt farewell, remaining true to Shimizu’s central themes as a young boy must learn to form a relationship with his new stepmother.
An unsung master of Japanese cinema, Hiroshi Shimizu (1903–1966) was highly regarded by contemporaries Yasujirō Ozu and Kenji Mizoguchi for his seemingly effortless formal ingenuity, distinguished by his signature linear traveling shots and his naturalistic, open-air depictions of regional Japan.
May 16, 2024. Film Hiroshi Shimizu - Part II past event. 『蜂の巣の子供たち』 Hachi no su no kodomotachi. Imported 35mm Print. The most celebrated of Hiroshi Shimizu’s postwar output, Children of the Beehive is a momentous work depicting the shattered state of Reconstruction-era Japan.
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Born in 1903, Hiroshi Shimizu, like his colleagues and friends Yasujiro Ozu and Kenji Mizoguchi, is a titanic figure in the development of the early Japanese film industry.
