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  1. An unsung master of Japanese cinema, Hiroshi Shimizu (1903–1966) was highly regarded by contemporaries Yasujirō Ozu and Kenji Mizoguchi for his seemingly effortless formal ingenuity, distinguished by his signature linear traveling shots and his naturalistic, open-air depictions of regional Japan.

  2. May 2, 2024 · The traveling shot is at the heart of Hiroshi Shimizus cinema. His camera glides alongside people as they walk, or tracks backward as they advance down a road. Scenes unspool at the pace of strollers and pilgrims, chatting pairs of women, itinerant workers on their way to the next job.

  3. Apr 5, 2024 · New York, New York, April 4, 2024 — Japan Society and Museum of the Moving Image (MoMI) will co-present a 27-film retrospective devoted to Hiroshi Shimizu, an unsung master of Japanese cinema, from May 4 through June 1. Co-organized with the National Film Archive of Japan and the Japan Foundation, New York, the two-part series will offer the ...

  4. Shimizus postwar filmography encapsulates the everyday tragedies of life, the delicate sentiments of love and loss in the wake of the war, and the pains that befall common people—from the hardships of motherhood to the ostracization of disability.

  5. www.theyshootpictures.com › shimizuhiroshiHiroshi Shimizu - TSPDT

    A curious, compassionate storyteller who was fascinated by characters on the outskirts of society, Shimizu used his trademark graceful traveling shot to peek around the corners of contemporary Japan."

  6. The most celebrated of Hiroshi Shimizus postwar output, Children of the Beehive is a momentous work depicting the shattered state of Reconstruction-era Japan. A nameless soldier repatriated to his occupied country undertakes a cross-country odyssey as he brings a ragtag band of orphans to the Introspection Tower, the reformatory school of ...

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  8. May 4, 2024 · With over 160 films directed over a 35-year-career that spanned the silent era into the golden age of Japanese cinema, Shimizu is distinguished by his unconventional approach to plotting—one loosely sketched and carefree—and a roaming camera that drifts through the open airs of provincial Japan.