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1. www.reddit.com › comments › 1ckwgx7Hiroshi Shimizu : r/JapaneseMovies - Reddit

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   Hiroshi Shimizu. For those in the New York City area, the Museum of the Moving Image and Japan Society are running a retrospective of Hiroshi Shimizu's work from mostly 35mm prints. I've caught some of the silent films and they've been excellent so far. Beautiful, incredibly snappy (nothing over 80 something minutes so far).

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3. reverseshot.org › features › 3223Features - Reverse Shot

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   May 2, 2024 · The traveling shot is at the heart of Hiroshi Shimizu’s cinema. His camera glides alongside people as they walk, or tracks backward as they advance down a road. Scenes unspool at the pace of strollers and pilgrims, chatting pairs of women, itinerant workers on their way to the next job.

4. movingimage.org › series › hiroshi-shimizuHiroshi Shimizu - Museum of the Moving Image

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   Presented at the Museum, Part I: The Shochiku Years gathers the best films of Shimizu’s protean and varied career with the studio from his stark, strikingly modernist early melodramas, both silent and sound, through the lyrical tours of provincial life with which he would become chiefly associated.

5. letterboxd.com › movingimagenyc › listHiroshi Shimizu, Part I: The Shochiku Years - Letterboxd

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   A major 27-film retrospective of master Japanese filmmaker Hiroshi Shimizu comes to Museum of the Moving Image and Japan Society in NYC, co-organized with the National Film Archive of Japan and the Japan Foundation, New York.

6. www.theyshootpictures.com › shimizuhiroshiHiroshi Shimizu - TSPDT

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   (1903-1966) Born March 28, Shizuoka, Japan. Key Production Country: Japan. Key Genres: Drama, Romance, Comedy.

7. japansociety.org › events › image-of-a-motherImage of a Mother — Japan Society

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   The final film in the three decade-long career of Hiroshi Shimizu, Image of a Mother is an apt farewell, remaining true to Shimizu’s central themes as a young boy must learn to form a relationship with his new stepmother.

8. People also ask

   Who was Hiroshi Shimizu?

   • An unsung master of Japanese cinema, Hiroshi Shimizu (1903–1966) was highly regarded by contemporaries Yasujirō Ozu and Kenji Mizoguchi for his seemingly effortless formal ingenuity. This retrospective offers the first New York survey of the major yet often overlooked filmmaker in more than 30 years and the largest ever assembled in North America.

   Hiroshi Shimizu Part I: The Shochiku Years – Museum of the Moving Ima…

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   Why did Shimizu have a low profile?

   • His low profile is sometimes attributed to his being overshadowed by his exact contemporary Yasujiro Ozu (both were born in 1903), though Ozu was an avowed admirer of his colleague at Shochiku, the studio where Shimizu worked throughout the 1930s and the war years before striking out on his own.

   Hiroshi Shimizu Part I: The Shochiku Years – Museum of the Moving Ima…

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   When does Shimizu's 'postwar and independent years' release?

   • Part II: The Postwar and Independent Years opens at Japan Society on May 16 and will illuminate Shimizu’s output after his departure from Shochiku, particularly the trilogy of films he made with the orphans he personally adopted and brought up after World War II.

   Hiroshi Shimizu Part I: The Shochiku Years – Museum of the Moving Ima…

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9. international.ucla.edu › institute › articleArticle .::. UCLA International Institute

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   Mar 20, 2009 · I've taken a roundabout way to begin my review on the newest Eclipse box set, Travels with Hiroshi Shimizu. In the context of Shimizu's main themes and visual style, a detour is poetically and practically appropriate. In a word, Shimizu's cinema can be described as itinerant.