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1. japansociety.org › film › hiroshi-shimizu-thePart II: The Postwar and Independent Years - Japan Society

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   Shimizu’s postwar filmography encapsulates the everyday tragedies of life, the delicate sentiments of love and loss in the wake of the war, and the pains that befall common people—from the hardships of motherhood to the ostracization of disability.

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3. japansociety.org › events › children-of-the-beehiveChildren of the Beehive — Japan Society

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   The most celebrated of Hiroshi Shimizu’s postwar output, Children of the Beehive is a momentous work depicting the shattered state of Reconstruction-era Japan. A nameless soldier repatriated to his occupied country undertakes a cross-country odyssey as he brings a ragtag band of orphans to the Introspection Tower, the reformatory school of ...

4. criterioncast.com › column › a-journey-through-theA Journey Through the Eclipse Series: Hiroshi Shimizu’s ...

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   Jul 28, 2013 · This modest and overlooked silent film from 1933 exposed significant cultural rifts that would reverberate through Japan for the next several decades.

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     Tokyo Profile (Hiroshi Shimizu, 1953) · 都会の横顔 [Tokai no yokogao]

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     1936: Arigatou-san - Hiroshi Shimizu: The Forgotten Master of Japanese Cinema

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     Children of the Beehive / Hachi no su no kodomotachi (Hiroshi Shimizu, 1948)

     27 Feb 2020

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6. reverseshot.org › features › 3223Features - Reverse Shot

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   May 2, 2024 · The traveling shot is at the heart of Hiroshi Shimizu’s cinema. His camera glides alongside people as they walk, or tracks backward as they advance down a road. Scenes unspool at the pace of strollers and pilgrims, chatting pairs of women, itinerant workers on their way to the next job.

7. ny.jpf.go.jp › event › hiroshi-shimizuHiroshi Shimizu – The Japan Foundation, New York

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   May 4, 2024 · An unsung master of Japanese cinema, Hiroshi Shimizu (1903–1966) was highly regarded by contemporaries Yasujirō Ozu and Kenji Mizoguchi for his seemingly effortless formal ingenuity, distinguished by his signature linear traveling shots and his naturalistic, open-air depictions of regional Japan.

8. japansociety.org › events › image-of-a-motherImage of a Mother — Japan Society

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   The final film in the three decade-long career of Hiroshi Shimizu, Image of a Mother is an apt farewell, remaining true to Shimizu’s central themes as a young boy must learn to form a relationship with his new stepmother.

9. People also ask

   Who was Hiroshi Shimizu?

   • An unsung master of Japanese cinema, Hiroshi Shimizu (1903–1966) was highly regarded by contemporaries Yasujirō Ozu and Kenji Mizoguchi for his seemingly effortless formal ingenuity. This retrospective offers the first New York survey of the major yet often overlooked filmmaker in more than 30 years and the largest ever assembled in North America.

   Hiroshi Shimizu Part I: The Shochiku Years – Museum of the Moving Ima…

   movingimage.org/series/hiroshi-shimizu/

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   Who is presenting Hiroshi Shimizu?

   • Hiroshi Shimizu is co-presented with Museum of the Moving Image, the National Film Archive of Japan, and Japan Foundation, New York. Hiroshi Shimizu – Part II: The Independent and Postwar Years is generously supported by The John and Miyoko Davey Endowment Fund for Classic Japanese Film.

   Hiroshi Shimizu – Part II: The Postwar and Independent Years

   japansociety.org/film/hiroshi-shimizu-the-postwar-and-independent-years/

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   How long was Hiroshi Shimizu melodrama?

   • 1957. 96 min. Directed by Hiroshi Shimizu. Imported 35mm Print. Documenting the plight of disabled children, Shimizu’s socially conscious melodrama was a popular hit in Japan, starring actress Kyoko Kagawa as a teacher who joins two parents in opening a school for youth with disabilities.

   Hiroshi Shimizu – Part II: The Postwar and Independent Years

   japansociety.org/film/hiroshi-shimizu-the-postwar-and-independent-years/

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   What is Shimizu's postwar filmography?

   • Shimizu’s postwar filmography encapsulates the everyday tragedies of life, the delicate sentiments of love and loss in the wake of the war, and the pains that befall common people—from the hardships of motherhood to the ostracization of disability.

   Hiroshi Shimizu – Part II: The Postwar and Independent Years

   japansociety.org/film/hiroshi-shimizu-the-postwar-and-independent-years/

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   Why did Shimizu have a low profile?

   • His low profile is sometimes attributed to his being overshadowed by his exact contemporary Yasujiro Ozu (both were born in 1903), though Ozu was an avowed admirer of his colleague at Shochiku, the studio where Shimizu worked throughout the 1930s and the war years before striking out on his own.

   Hiroshi Shimizu Part I: The Shochiku Years – Museum of the Moving Ima…

   movingimage.org/series/hiroshi-shimizu/

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   When does Shimizu's 'postwar and independent years' release?

   • Part II: The Postwar and Independent Years opens at Japan Society on May 16 and will illuminate Shimizu’s output after his departure from Shochiku, particularly the trilogy of films he made with the orphans he personally adopted and brought up after World War II.

   Hiroshi Shimizu Part I: The Shochiku Years – Museum of the Moving Ima…

   movingimage.org/series/hiroshi-shimizu/

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10. movingimage.org › series › hiroshi-shimizuHiroshi Shimizu - Museum of the Moving Image

    movingimage.org › series › hiroshi-shimizu

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    May 19, 2024 · An unsung master of Japanese cinema, Hiroshi Shimizu (1903–1966) was highly regarded by contemporaries Yasujirō Ozu and Kenji Mizoguchi for his seemingly effortless formal ingenuity, distinguished by his signature linear traveling shots and his naturalistic, open-air depictions of regional Japan.