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May 16—June 1. Born the same year as his close friend Yasujiro Ozu, Hiroshi Shimizu (1903-1966) remains one of the forgotten masters of Japanese cinema, praised by contemporaries including Sadao Yamanaka and Kenji Mizoguchi but neglected despite his radical spirit and versatile talent.
Apr 15, 2004 · The aesthetic peer of his contemporaries, Mizoguchi, Ozu, Gosho, and Naruse, Hiroshi Shimizu in his silent films was a courageous witness to the experiences of his generation, creating works which are surely destined to take their place among the cinema's finest achievements.
Born in 1903, Hiroshi Shimizu, like his colleagues and friends Yasujiro Ozu and Kenji Mizoguchi, is a titanic figure in the development of the early Japanese film industry. Starting in the silent era and working through the transition to sound, the industry’s turn to wartime propaganda, and the post-war devastation and occupation, Shimizu’s ...
Jul 28, 2013 · Despite its brevity (a mere 71 minutes) and fairly conventional structure as a tragic-romantic melodrama, Hiroshi Shimizu’s 1933 film Japanese Girls at the Harbor is a poignant portrayal of a society under ideological siege, leaving individuals confused and heart-broken in their attempts to find their place in a new order.
Jul 26, 2004 · A concern for the relevance of his art informs all of Shimizu’s mature work. Just as, in the pre-war period, he had criticised the direction of Japanese society, so, in the post-war period, he made films focusing on its weakest, most vulnerable members.
- Alexander Jacoby
An unsung master of Japanese cinema, Hiroshi Shimizu (1903–1966) was highly regarded by contemporaries Yasujirō Ozu and Kenji Mizoguchi for his seemingly effortless formal ingenuity, distinguished by his signature linear traveling shots and his naturalistic, open-air depictions of regional Japan.
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May 1, 2024 · Shimizu was known for telling the stories of outsiders, be it migrant workers, war veterans, and orphans, persons with disabilities, itinerant drifters, or fallen women. Shimizu chose to examine the country as a whole through the lens of marginalized persons.
