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Miniatures artist Annie suffered a lifetime of trauma at the hands of her psychotic mother. When she finally passes away, her daughter hopes to keep her own family from the same pain. Yet a looming creative deadline only amplifies the dysfunction, and tragedy soon rocks the family again.
May 3, 2021 · Hereditary is in essence a film dominated at its core by a form of collective, cross generational familial memory. Its central characters are infatuated with the memory of lost family members and it is this memory which returns to haunt the family rather than merely the supernatural entities themselves that, from a narrative perspective, the ...
- info@deptfordcinema.org
- MINUTES LATER
- LATER
- SECONDS LATER
- 5 INT. CAR (MOVING) - LATE AFTERNOON
- 6 INT. GRAHAM HOUSE - FOYER - EVENING
- 7 INT. WORKSHOP - EVENING
- 8 INT. PETER’S BEDROOM - NIGHT
- 9 INT. CHARLIE’S BEDROOM - NIGHT 9
- 10 INT. WORKSHOP - NIGHT
- Themes
- EXT. SCHOOLYARD - DAY 14
- 16 INT. ANNIE’S WORKSHOP - DAY 16
- 17 INT. ANNIE’S MOTHER’S BEDROOM - DAY 17
- 18 INT. TV ROOM - MOMENTS LATER
- 19 INT. HALLWAY - EVENING
- 20 INT. TREEHOUSE - EVENING
- THIRTY MINUTES LATER
- FIVE MINUTES LATER
- 23 INT. HALLWAY - NIGHT 23
- 24 INT. PETER’S BEDROOM - SAME TIME 24
- 26 INT. CHARLIE’S BEDROOM - THE NEXT DAY
- 28 EXT. WOODS - MINUTES LATER 28
- INT. ANNIE’S WORKSHOP - SAME TIME
- EXT. WOODS - SAME TIME
- 33 INT. FOYER - MOMENTS LATER
- EXT. PARTY HOUSE - NIGHT
- INT. OTHER ROOM - SAME TIME 40
- 42 INT. ANNIE’S WORKSHOP - NIGHT 42
- 44 INT. OTHER ROOM - MOMENTS LATER
- 49 INT. BEDROOM - THE NEXT MORNING
- 50 EXT. HIGHWAY - MORNING 50
- 51 INT. GRAHAM HALLWAY - NIGHT
- 52 EXT. CEMETERY - DAY
- 64 MOMENTS LATER
- INT. CHARLIE’S BEDROOM - NIGHT 62
- INT. CLASSROOM - DAY
- EXT. GRAHAM HOUSE - LATE AFTERNOON
- 74 EXT. CATHOLIC HIGH SCHOOL GYMNASIUM - EVENING
- INT. ANNIE & STEVE’S BEDROOM - NIGHT
- 79 INT. PETER’S BEDROOM - SAME TIME
- 80 INT. WORKSHOP - THE NEXT DAY
- 86 MINUTES LATER
- 87 INT. GRAHAM HOUSE - KITCHEN- MOMENTS LATER 87
- 88 INT. PETER’S ROOM - DAY
- 89 INT. WORKSHOP - NIGHT
- 90 INT. DINING ROOM - NIGHT
- INT. ANNIE AND STEVE’S BEDROOM - MINUTES LATER
- 92 INT. PETER’S BEDROOM - NIGHT
- 93 INT. ANNIE & STEVE’S BEDROOM - SAME TIME 93
- 95 INT. ART SUPPLY STORE - DAY
- 96 INT. JOAN’S APARTMENT - DAY 96
- 97 INT. CAR (MOVING) - EVENING 97
- 103 INT. DINING ROOM - CONTINUOUS
- 104 EXT. HOUSE - NIGHT
- 107 INT. PETER’S BEDROOM - CONTINUOUS
- 110 INT. CLASSROOM - NEXT DAY
- 111 INT. STEVE’S OFFICE - DAY
- 112 INT. ANNIE’S WORKSHOP - SAME TIME 112
- INT. HALLWAY - LATER
- 116 INT. ANNIE’S WORKSHOP - MOMENTS LATER 116
- 119 INT. CHARLIE’S BEDROOM - CONTINUOUS 119
- 120 INT. PETER’S BEDROOM - NIGHT 120
- 123 INT. PETER’S BEDROOM - SAME TIME
- 125 INT. LIVING ROOM - NIGHT
- 128 INT. JOAN’S APARTMENT BUILDING - THIRD FLOOR - MOMENTS LAT1E2R8
- 129 INT. JOAN’S APARTMENT - CONTINUOUS
- 131 EXT. HIGH SCHOOL - DAY
- 132 INT. ANNIE’S WORKSHOP - DAY
- A sentence underlined in pencil reads: "Paimon is Male, thus covetous of a male human body."
- 135 INT. ATTIC - CONTINUOUS
- 136 INT. CLASSROOM - DAY 136
- 139 INT. CAR - SAME TIME 139
- 140 INT. STEVE’S OFFICE - SAME TIME 140
- 142 INT. ANNIE’S CAR - LATE AFTERNOON
- 143 INT. PETER’S BEDROOM - DAY
- 144 INT. LIVING ROOM - CONTINUOUS 144
- 145 INT. UPSTAIRS HALLWAY - MOMENTS LATER 145
- 146 EXT. WOODS - NIGHT 146
- 147 INT. PETER’S BEDROOM - SAME TIME 147
- 148 INT. HALLWAY - CONTINUOUS 148
- 150 INT. LIVING ROOM - CONTINUOUS 150
- 152 INT. HALLWAY - CONTINUOUS 152
- 153 INT. ATTIC - CONTINUOUS
- 154 EXT. GRAHAM HOUSE - CONTINUOUS
- 155 INT. TREEHOUSE - CONTINUOUS
- Hey: hey: Charlie.
- From this, we VERY SLOWLY FADE IN ON:
Annie is now on the PLATFORM. ANNIE I just wanna say first...it’s very heartening to see so many strange new faces here today. I know my mom would be very touched (and probably a little suspicious) if she could see this turn-out, so... Annie looks down to now read from a heavily edited loose-leaf page. This is her eulogy. (Not used to reading in pu...
The mourners have been invited up to view the deceased and say goodbye. Organ music plays as Annie, Steve, Peter (who doesn’t look) and Charlie shuffle by. Charlie peers into the open casket to see her grandmother’s CORPSE. It wears a NECKLACE with a delicate SIGIL ORNAMENT (identical to Annie’s). The seams in the corpse’s make-up are eerily appare...
An older WOMAN arrives at the open casket. Her finger is dipped into a small bottle of OIL. She quickly and covertly STREAKS the oil along the corpse’s lips. Seeing this, a following mourner squints with bewilderment.
Steve is at the wheel, driving back home. Annie sits 5 passenger, and Peter and Charlie sit in the back. They drive past a gathering of DEER. ANNIE (to Steve) How did you keep from screaming during Judy’s speech? STEVE Ha. Well, if you could...! Peter EYES the back of Annie’s head. She seems to grate on his nerves. Meanwhile, Charlie is back to mak...
6 The house is unlit and seemingly vacant. Off-screen, we hear FEET SCURRYING and a DOOR CLOSING. Max, the golden retriever, BARKS in reaction to this. A moment later, the front door opens and the Graham family enters. They stamp the snow off their boots and remove their coats. Max runs up, desperate to greet them. Steve bends down to happily recei...
7 Annie is at her work desk. It’s a mess of paints, props, wood pieces, etc. She wears magnifying eye-glasses as she carefully paints eyes onto a SMALL DOCTOR FIGURINE for a MINIATURE HOSPICE. A figurine of an old woman - presumably Annie’s mother - lies in a miniature hospital bed. Steve enters, disrupting Annie’s focus. STEVE How’s it going? ANNI...
Peter sits up in bed, holding a guitar. He improvises a 8 clunky tune as a muted TV plays cartoons. His eyes are on the TV. The door cracks open and Steve pokes his head in. STEVE Goodnight, kiddo. PETER ‘Night, dad. STEVE ...What you playing? PETER Just plucking random strings. STEVE (nods, then) You feeling okay about everything? PETER (shrugs) Y...
Charlie’s room is that of a young artist. The walls are covered in drawings, and the desks and other surfaces are littered with different HANDMADE HUMAN MANIKINS and SMALL STATUES (all made of disparate parts - mostly found objects). Annie sits on the edge of Charlie’s bed. Charlie is under the covers. Annie has opened Charlie’s drawing pad to see ...
10 Annie enters. Outside the window: peaceful snowfall. Annie hesitates before walking over to the box labeled “Mom’s Things.” She reluctantly opens it... The box is filled with bottled oils and herbs. At the top of the box is a PHOTO ALBUM titled “Memories.” Annie opens it to sift through photos of her mother. She lays the album back into the box,...
Escaping Fate. Relationship between knowledge and responsibility. "No man considered fortunate until he is dead." The teacher, MR. DAVIES (30s), tries to facilitate a group discussion. He holds a copy of Sophocles’ The Women of Trachis. MR. DAVIES So if we're going by the rule that a hero is undone by his fatal flaw, what was Heracles’ flaw? SMART-...
Recess. The DEAD PIGEON lies pathetically in the bushes below Charlie’s classroom window. Charlie stands nearby, staring at the pigeon. After some time, she fishes a pair of SCISSORS from her parka pocket. (These are the scissors from her teacher’s desk.) Charlie extends the scissors, fits the blades around the pigeon’s neck, and SNIPS OFF ITS HEAD...
Annie’s laptop is open to a website: “Discernment of Presumed Apparitions.” Annie, sitting at the Graham house model, is carefully painting a MINIATURE LAPTOP, featuring the very same website.
We are looking through the open door into the HALL. Downstairs, the front door is heard opening. Hello! STEVE (O.S.) Hi! ANNIE (O.S.) Annie steps out into the hall and walks past the doorway. A moment later, we hear her footsteps FREEZE. She soon returns into view, now looking very unsettled. She stares past us, into the room... ANNIE’S POV: The ro...
18 Steve sits on the couch, having just turned on the news. He’s still wearing his coat. Annie enters. ANNIE Were you in my mom’s room? STEVE What? No. ANNIE The door was open. Steve makes a “hmm” face. The front door is heard opening, and Annie goes to the FOYER, where Peter and Charlie are entering. ANNIE (CONT’D) Hey guys. How was school? PETER ...
19 Steve is at Annie’s Mother’s door. He LOCKS IT (by key) from the outside. ANNIE Sorry. I know it’s irrational. STEVE Not at all. Illustrating that it’s locked, Steve tries turning the knob. Annie smiles. ANNIE Thank you. She kisses Steve, feeling dopey. Peter walks up to them, holding the PHONE. PETER Dad? (extending phone) It’s the cemetery. AN...
20 * Charlie sits in her treehouse. She lays the severed pigeon head into her SHOEBOX. Inside this box are three other SEVERED ANIMAL HEADS. One belongs to a rabbit, one to a rat, one to a squirrel. (The heads are in different stages of decomposition; flies buzz about.) Down below, Annie is heard: Charlie? ANNIE (O.S.) Charlie shuts the box, SHOVES...
All the chairs are now filled. A middle-aged MEXICAN WOMAN speaks (in Spanish) through coursing tears. A YOUNG MAN translates for her as the rest of the group listens. YOUNG MAN (translating between her sentences) Sometimes I even get so relieved... Because he was in so much pain, and by the end he just hated himself. Always saying “I’m a burden, I...
The GROUP LEADER addresses the group. LEADER We’ve set aside some time for any newcomers who might like to speak... Silence. LEADER (CONT’D) So, anybody new - if it’s your first or second time with us: the floor is open. Annie looks very torn. She starts to lift up her hand, but stops short. Yes? LEADER (CONT’D) (gesturing to Annie) Annie looks pan...
At the end of the hall, a very depleted Annie has just finished scaling the stairs. In the f.g., Peter’s door eases shut.
Peter’s laptop is open. The browser displays BRIDGET’S FACEBOOK PAGE. (Peter has been going through her photos.) Behind that, another page displays “POPULAR CAREER INTERESTS.” Peter walks from the door (which he just closed) to his desk. He grabs a small water pipe, packed with marijuana, and walks to the window. As Peter takes a hit from his pipe,...
26 Charlie, dressed in her pajamas and munching on M&Ms, sits at her desk. She’s is finishing the torso for another small human manikin. The limbs are made of different scraps. To the side of Charlie’s sculpture-in-progress is the SEVERED PIGEON HEAD. Beside that is Charlie’s drawing pad, open to an unfinished STILL LIFE of the pigeon head. And on ...
The vast WOODED AREA behind the Graham house. It is still snowing. 29 Charlie, wearing regular shoes and no coat (and still dressed in her pajamas), takes wide steps as she slogs through the snow. She gazes listlessly ahead, as if in a TRANCE. She’s being drawn toward something. Like she’s sleepwalking with open eyes. Max, the family dog, follows h...
29 Annie is now WORKING INTENSELY on one of her miniatures. She looks very anxious. Peter appears at the door. PETER Hey, uh... Annie looks up, visibly annoyed by the disturbance. PETER (CONT’D) ...do you think I could borrow one of the cars tonight? ANNIE Why? Where are you going? PETER Oh, just like a school BBQ thing. Annie continue working on t...
32 Charlie is still walking through the snow. She sees in the DISTANCE, almost too far away to distinguish... A ring of BURNING TORCHES has been set up. Within this ring, an OLD WOMAN’S INANIMATE BODY (dead?) stands erect - tied to a pole, with her arms strapped to outstretched planks. The body is dressed in FINE WHITE SILK. It looks like Ellen Lei...
33 Annie and Charlie return. Annie aggressively stamps the snow off her boots. ANNIE You’re going to this party with your brother. CHARLIE What party? ANNIE (trying to be softer) A school hang-out with other kids. CHARLIE (evasive) That’s okay. No, it’s ANNIE not okay. You’re going. CHARLIE Why? ANNIE Because it’ll be fun. You can hang out. CHARLIE...
36 A large, modern house. The windows feature glimpses of a big party, filled with circulating kids. Peter and Charlie walk up the driveway. Charlie, suddenly very nervous, starts slowing down. CHARLIE Maybe I don’t have to go in... Peter stops. PETER Why? What’s wrong? CHARLIE It’s okay. I can just stay out here. PETER Charlie, you’re the one who ...
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
A NEUTRAL WIDE OF THE GRAHAM HOUSE. NIGHT. Surrounded by dreamy snowfall. A strong artifice distinguishes the image. As if the actual house has somehow been replaced by its MINIATURE REPLICA. Even the drifting snowflakes look false. Hold on this as the CREDITS roll.
Nov 13, 2018 · You can read/download your own copy of the Hereditary script, HERE. If you’ve yet to experience the terrifying phenomenon that is Hereditary, check out the synopsis and trailer below. The film...
- 2 min
Foreshadows entire plot → Paimon demon focusing in about Peter Tracking down screen, during outside shot, with an extreme long shot of father leaving the home to a bust shot of the mother sitting in her car Long shot of sister in attic Over the shoulder shot, dollies circling around mother giving eulogy for her deceased mother
The mounting distress of Annie's 13-year-old daughter Charlie becomes evident, and her older brother Peter begins to feel the relentless anguish of culpability. Now, little by little, a sinister dark presence robs Annie of her free will, demanding a cruel sacrifice in exchange for glorious rewards.
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