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1. translate.google.co.ukGoogle Translate

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2. www.themoviedb.org › movie › 101045-held-derHeld der Gladiatoren (2003) - Translations — The Movie ...

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   Germanus, a brave gladiator, witnesses the brutal murder of his brother, committed by another fighter. Since then, he will become his worst enemy, with whom he will fight in several fights, each more bitter. One day, Germanus discovers that his sister, also gladiator, maintains a passionate affair with the man who killed the brother of both, without her knowing anything about the crime

3. letterboxd.com › film › held-der-gladiatoren‎Held der Gladiatoren (2003) directed by Jorgo Papavassiliou ...

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   Synopsis. Germanus, a brave gladiator, witnesses the brutal murder of his brother, committed by another fighter. Since then, he will become his worst enemy, with whom he will fight in several fights, each more bitter. One day, Germanus discovers that his sister, also gladiator, maintains a passionate affair with the man who killed the brother ...

   • Director: Jorgo Papavassiliou

4. www.imdb.com › title › tt0385748Held der Gladiatoren (TV Movie 2003) - IMDb

   www.imdb.com › title › tt0385748

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   Held der Gladiatoren: Directed by Jorgo Papavassiliou. With Stephan Luca, Andrea Cleven, Tanja Wenzel, Zsolt Bács. After almost the whole family decimated by soldiers of the Roman Empire, the noble Germanus is captured as a slave.

   • 4.8/10 (295)
   • Genre: Action, Adventure, Drama

   • Director: Jorgo Papavassiliou
   • Release Date: 2003-10-26

5. trakt.tv › movies › held-der-gladiatoren-2003Held der Gladiatoren (2003) - Trakt

   trakt.tv › movies › held-der-gladiatoren-2003

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   Oct 26, 2003 · Released October 26, 2003 + 1 more. Runtime 1h 37m. Director Jorgo Papavassiliou. Writer Robert Löhr. Country Germany. Languages German. Germanus, a brave gladiator, witnesses the brutal murder of his brother, committed by another fighter. Since then, he will become his worst enemy, with whom he will fight in several fights, each more bitter ...

   • 63% (11)
   • Actors: Stephan Luca

   • Director: Jorgo Papavassiliou

6. en.kinorium.com › 300043Held der Gladiatoren (movie, 2003) - Kinorium

   en.kinorium.com › 300043

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   Oct 26, 2003 · After almost the whole family decimated by soldiers of the Roman Empire, the noble Germanus is captured as a slave. Humiliated and tortured by the mighty of Rome, he is obliged to endure the most terrible trials. In the bloody combat that wages as a gladiator in the Roman arenas, Germanus ends up losing his only brother, who dies in the hands of the cruel lakes. But Germanus will not give up ...

7. People also ask

   What does Lendon say about 'gladiators'?

   • Lendon, ‘Gladiators’ notably urges caution and warns against reading too much into the possible role of the arena in defining Roman identity. The view expressed by Robert nearly 70 years ago is still very much with us today.

   Gladiators and Monomachoi: Greek Attitudes to a Roman ‘Cultural

   www.tandfonline.com/doi/full/10.1080/09523360802531621

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   Does the 'cultural performance' explain the cultural significance of the gladiatorial munus?

   • This study explores the feasibility of the model of the ‘cultural performance’ to explain the cultural significance of the gladiatorial munus in Roman society. It then turns to consider the impact of such a potent spectacle in the Greek regions of the Roman Empire.

   Gladiators and Monomachoi: Greek Attitudes to a Roman ‘Cultural

   www.tandfonline.com/doi/full/10.1080/09523360802531621

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   Why did Roman emperors make gladiatorial shows?

   • 1). The imperial cult, with which the production of gladiatorial shows was intimately connected in the east, operated to find a place for the Roman emperor (and by extension, for the ruling power in Rome) in the civic and ceremonial structure of the polis and region. See Price's classic, Rituals and Power.

   Gladiators and Monomachoi: Greek Attitudes to a Roman ‘Cultural

   www.tandfonline.com/doi/full/10.1080/09523360802531621

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   Why was gladiatorial combat important in ancient Rome?

   • Those who accepted gladiatorial combat as a part of cultural life accepted the framework of Roman virtues and their celebration … . Even in the Greek-speaking part of the Roman empire, gladiatorial combat became successful.’ Guss, The Festive State, especially 7–12 (quotation from page 12).

   Gladiators and Monomachoi: Greek Attitudes to a Roman ‘Cultural

   www.tandfonline.com/doi/full/10.1080/09523360802531621

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   What does Pliny the elder say about gladiators?

   • Pliny the Elder describes the great interest in displaying the portraits of gladiators (Plin. HN 35. 52). For other gladiatorial displays and for elite inscriptions, see, for example, Robert, Les gladiateurs, passim. See Robert, Les gladiateurs, 287; and Wiedemann, Emperors and Gladiators, 122–3.

   Gladiators and Monomachoi: Greek Attitudes to a Roman ‘Cultural

   www.tandfonline.com/doi/full/10.1080/09523360802531621

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   Are gladiators considered noxii?

   • Certainly criminals condemned to death in the arena were not permitted such a final privilege and the fact that gladiators regularly received proper burial immediately distinguishes them from worthless noxii – see Kyle, Spectacles of Death, 213–41.

   Gladiators and Monomachoi: Greek Attitudes to a Roman ‘Cultural

   www.tandfonline.com/doi/full/10.1080/09523360802531621

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8. www.tandfonline.com › doi › fullGladiators and Monomachoi: Greek Attitudes to a Roman ...

   www.tandfonline.com › doi › full

   Jan 23, 2009 · [10] The view expressed by Robert nearly 70 years ago is still very much with us today. Two recent examples (both from 2007) from leading scholars should suffice, namely, Kyle, Sport and Spectacle, 9: ‘ … but the Romans, through conquest and colonization, so effectively imposed the arena and circus on provinces that the provincials came to accept new games, like new cults and coins, as ...