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1. pitchfork.com › reviews › albumsGoldfrapp: Head First Album Review - Pitchfork

   pitchfork.com › reviews › albums

   Mar 25, 2010 · Reviewed: March 25, 2010. Bringing roller-disco synth-pop out of mothballs gives the UK duo their most entertaining album since electro-glam juggernaut Supernature. Yup, another wardrobe change.

2. www.musicradar.com › news › guitarsGoldfrapp Head First album review: track-by-track - MusicRadar

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   Mar 22, 2010 · Released today (22 March), Goldfrapp's new album Head First is a glorious - if unexpected - foray into pure ‘80s pop. Goldfrapp have ditched the acoustic guitars from their folktronic 2008 album Seventh Tree and replaced them with massive synthesizers, effortlessly catchy hooks and staccato Giorgio Moroder basslines.

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4. ra.co › reviews › 7247Goldfrapp - Head First · Album Review RA - Resident Advisor

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   Mar 25, 2010 · Bar that bright pink one-suit jumper, those thunderous poses and the occasional encapsulation of pop's own genetic map, Head First is the sound of a restrained Goldfrapp. Other contemporary revivalists are rarely accused of the same.

5. www.sputnikmusic.com › review › 35619Goldfrapp - Head First (album review ) | Sputnikmusic

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   Goldfrapp Head First. 3.0good. Review. by Rudy K. EMERITUS March 19th, 2010 | 41 replies. Release Date: 2010 | Tracklist. Review Summary: The ninth circle of hell for those who hate John Hughes movies.

6. www.slantmagazine.com › music › goldfrapp-head-firstReview: Goldfrapp, Head First - Slant Magazine

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   Mar 10, 2010 · Review: Goldfrapp, Head First. Head First is a brief trip, but it’s saturated with enough hi-NRG motifs and sounds for countless sweaty workouts at Jack LaLanne. by Sal Cinquemani.

   • 3.5/5

7. beatsperminute.com › album-review-goldfrapp-head-firstAlbum Review: Goldfrapp – Head First – Beats Per Minute

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   Mar 23, 2010 · Goldfrapp’s fifth album, Head First, falls firmly into the latter category. After a decade of lush, ethereal spooky pop music, they’ve finally shed all pretense and gone and made a real, bona fide pop record.

8. People also ask

   What are Goldfrapp's flaws on head first?

   • Goldfrapp's only flaw on Head First is that they haven't self-indulged enough. The album's lead single, "Rocket," joyfully telescoped Kim Carnes and Van Halen while simultaneously displaying a distanced irony and wholehearted merrymaking. It's duplicated on obvious future single "Believer," the elegant "Dreaming" and the shameless "I Wanna Life."

   Goldfrapp - Head First · Album Review RA - Resident Advisor

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   Is Goldfrapp a good album?

   • Alas, a nine-song album doesn't leave much room for error. Goldfrapp remain excellent in the studio-- any future work they do for Aguilera or anyone else (they also recently scored the soundtrack for John Lennon biopic Nowhere Boy) deserves watching-- and there's plenty of highly stylized fun to be had here.

   Goldfrapp: Head First Album Review | Pitchfork

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   Are Goldfrapp a sarcastic band?

   • Goldfrapp have ditched the acoustic guitars from their folktronic 2008 album Seventh Tree and replaced them with massive synthesizers, effortlessly catchy hooks and staccato Giorgio Moroder basslines. If the aim was to make a more commercially viable album than Seventh Tree, they’ve succeeded almost to the point of looking sarcastic.

   Goldfrapp Head First album review: track-by-track | MusicRadar

   www.musicradar.com/news/guitars/goldfrapp-head-first-album-review-track-by-track-240912

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   Which Goldfrapp song has the strongest opening?

   • The strongest opening on Head First by a mile, Shiny and Warm throws Goldfrapp back into their Supernature territory of glitzy riffs and instant earworms. Here, a strict bassline and marching beat are juxtaposed against slurred and breathless vocals that sound like the most seductive of pillow talk.

   Goldfrapp Head First album review: track-by-track | MusicRadar

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9. www.nme.com › reviews › reviews-goldfrapp-11146-312685Album Review: Goldfrapp – ‘Head First’ (Mute) - NME

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   Mar 21, 2010 · ‘Head First’, though, is basically an upbeat electro-pop record with one foot in the ’80s, much like roughly 85 per cent of music made in the last two years.