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Occupation. Cinematographer. Website. zambarloukos.com. Haris Zambarloukos, B.S.C. (Greek: Χάρης Ζαμπαρλούκος; born 11 March 1970) is a Greek-Cypriot cinematographer. He is best known for his work on films such as Venus (2006), Sleuth (2007), Mamma Mia! (2008), Thor (2011), and Belfast (2021).
Jan 20, 2022 · Now well established in Hollywood, Zambarloukos has worked with director Kenneth Branagh on a number of films, including his latest effort, Belfast, which has already earned Zambarloukos a Hamilton Behind the Camera Award for Cinematography as well as a handful of other nominations, including one from the Critics Choice Association.
- Danielle Solzman
A Haunting in Venice cinematographer Haris Zambarloukos takes us behind the lens with four films that inspired the visual style of the latest Hercule Poirot mystery. This story was written during the 2023 WGA and SAG-AFTRA strikes in accordance with the DGA contract ratified with AMPTP in June 2023.
- Brian Formo
Nov 20, 2021 · Courtesy of Krzysztof Wesolowski. Cinematographer Haris Zambarloukos has taken on ambitious visions for his longtime director comrade Kenneth Branagh, from the opulent pre-war world of Agatha ...
Haris Zambarloukos, B.S.C. (Greek: Χάρης Ζαμπαρλούκος; born 11 March 1970) is a Greek Cypriot cinematographer. He is known for his work in films such as Venus (2006), Sleuth (2007), Mamma Mia! (2008), Thor (2011) and Belfast (2021). Zamabarloukos was born in Nicosia on 11 March 1970. He obtained his BFA from the Central Saint Martins College of Art and Design in London, and ...
Haris Zambarloukos BSC GSC on the film explains how he used the aptly named Sony VENICE 2 for a brand-new attempt at a story released 54 years ago. Venice, with its labyrinthine canals, decaying grandeur and eerie ambiance, is a cinematic paradise for filmmakers in the horror, thriller and mystery genres. Its hauntingly beautiful architecture ...
Sep 30, 2024 · Zambarloukos’ primary lenses for the project were a combination of Ultra Panatar and Ultra Panatar II 1.3x anamorphic optics, which he paired with Panavised Venice 2 camera bodies. In this video, he also shares insights into the movie’s visual effects, working across continents in the U.K. and the U.S., and the inspiration he found in Thomas E. Ackerman, ASC’s cinematography on the ...
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