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“What I’ve always loved about his films is that incredible warmth and that incredible imagination,” cinematographer Haris Zambarloukos, BSC, GSC says of dire...
- 4 min
- 7.3K
- Panavision
Zambarloukos’ primary lenses for the project were a combination of Ultra Panatar and Ultra Panatar II 1.3x anamorphic optics, which he paired with Panavised Venice 2 camera bodies. In this video, he also shares insights into the movie’s visual effects, working across continents in the U.K. and the U.S., and the inspiration he found in Thomas E. Ackerman, ASC’s cinematography on the ...
Denial (2016) Feature Film. Haris Zambarloukos - Director of Photography.
Oct 17, 2024 · The Afterlife with Dual Base ISO. VENICE 2 has two different base ISO’s – 800 and 3200 – and for Beetlejuice Beetlejuice the ability to shoot at 3200 ISO with no loss of image quality really helped Haris to bring its strange Afterlife world to the big screen. “Tim was certainly curious about a very high-speed sensor and the idea that we ...
Oct 19, 2024 · VENICE 2 has two different base ISOs – 800 and 3200 – and for Beetlejuice Beetlejuice the ability to shoot at 3200 ISO with no loss of image quality really helped Zambarloukos to bring its strange Afterlife world to the big screen. “Tim was certainly curious about a very high-speed sensor and the idea that we could shoot at 3200 ASA ...
Haris Zambarloukos, BSC acquired a BA in Fine Arts from Central St Martin`s College of Art & Design and whilst studying in London photographed Debbie Emmin`s…
Sep 21, 2023 · We spoke with cinematographer Haris Zambarloukos about A Haunting in Venice, Tim Burton’s Beetlejuice Sequel, and digital vs. film.
