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A Haunting in Venice cinematographer Haris Zambarloukos takes us behind the lens with four films that inspired the visual style of the latest Hercule Poirot mystery. This story was written during the 2023 WGA and SAG-AFTRA strikes in accordance with the DGA contract ratified with AMPTP in June 2023.
- Brian Formo
Sep 21, 2023 · Cinematographer Haris Zambarloukos on 'A Haunting in Venice,’ Tim Burton’s ‘Beetlejuice’ Sequel, and Digital vs. Film. By Steven Weintraub & Tamera Jones. Published Sep 21, 2023.
- Steven Weintraub
Haris Zambarloukos, BSC acquired a BA in Fine Arts from Central St Martin`s College of Art & Design and whilst studying in London photographed Debbie Emmin`s…
Haris Zambarloukos BSC GSC on the film explains how he used the aptly named Sony VENICE 2 for a brand-new attempt at a story released 54 years ago. Venice, with its labyrinthine canals, decaying grandeur and eerie ambiance, is a cinematic paradise for filmmakers in the horror, thriller and mystery genres.
Haris Zambarloukos is the cinematographer behind films like Mamma Mia!, Thor, Cinderella and more. His latest film, Kenneth Branagh’s Belfast, hits theaters Nov. 12. Below, Haris shares five films that shaped his appreciation for cinema. Like Belfast, they were all shot in black-and-white.
Haris Zambarloukos, B.S.C. (Greek: Χάρης Ζαμπαρλούκος; born 11 March 1970) is a Greek-Cypriot cinematographer. He is best known for his work on films such as Venus (2006), Sleuth (2007), Mamma Mia! (2008), Thor (2011), and Belfast (2021).
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Well known for his longtime collaboration with director Kenneth Branagh on features such as Belfast and A Haunting in Venice, Zambarloukos teamed with Burton for the first time on the new feature Beetlejuice Beetlejuice, the long-anticipated sequel to the director’s 1988 classic Beetlejuice.