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Haris Zambarloukos - Director of Photography. Menu. Home;...
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Haris' drone war film with Oscar winning director Gavin Hood Eye In The Sky was released on March 11 2015. Haris also lensed Denial directed by Mick Jackson and his fifth collaboraton with Sir Kenneth on the the Agatha Christie classic Murder On The Orient Express is in theatres now and screening in 70mm. Currently, Haris is in preparation for ...
Sep 25, 2024 · By Adrian Pennington 25 September 2024. Tim Burton and Michael Keaton’s return to the fantasy horror comedy hit is lensed by Greek-Cypriot cinematographer Haris Zambarloukos. Adrian Pennington reports. When director Tim Burton sat down with his cinematographer to discuss a sequel to 1988’s cult hit Beetlejuice he told Haris Zambarloukos ...
Occupation. Cinematographer. Website. zambarloukos.com. Haris Zambarloukos, B.S.C. (Greek: Χάρης Ζαμπαρλούκος; born 11 March 1970) is a Greek-Cypriot cinematographer. He is best known for his work on films such as Venus (2006), Sleuth (2007), Mamma Mia! (2008), Thor (2011), and Belfast (2021).
Sep 30, 2024 · Beetlejuice Beetlejuice. Sep 30, 2024. “What I’ve always loved about his films is that incredible warmth and that incredible imagination,” cinematographer Haris Zambarloukos, BSC, GSC says of director Tim Burton. Well known for his longtime collaboration with director Kenneth Branagh on features such as Belfast and A Haunting in Venice ...
Zambarloukos’ primary lenses for the project were a combination of Ultra Panatar and Ultra Panatar II 1.3x anamorphic optics, which he paired with Panavised Venice 2 camera bodies. In this video, he also shares insights into the movie’s visual effects, working across continents in the U.K. and the U.S., and the inspiration he found in Thomas E. Ackerman, ASC’s cinematography on the ...
Oct 17, 2024 · Zambarloukos details the cameras and lenses he used to capture Tim Burton's spooky sequel. Released last month, Beetlejuice Beetlejuice is Tim Burton’s sequel to his 1998 comedy horror. Burton worked with cinematographer Haris Zambarloukos on the sequel, who opted to use the Sony VENICE 2 camera on the project, stating: “I really do like ...
