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Zambarloukos’ primary lenses for the project were a combination of Ultra Panatar and Ultra Panatar II 1.3x anamorphic optics, which he paired with Panavised Venice 2 camera bodies. In this video, he also shares insights into the movie’s visual effects, working across continents in the U.K. and the U.S., and the inspiration he found in Thomas E. Ackerman, ASC’s cinematography on the ...
Burberry -From London with Love (2014) Commercial Spot. Meg 2: The Trench (2023)
Sep 25, 2024 · By Adrian Pennington 25 September 2024. Tim Burton and Michael Keaton’s return to the fantasy horror comedy hit is lensed by Greek-Cypriot cinematographer Haris Zambarloukos. Adrian Pennington reports. When director Tim Burton sat down with his cinematographer to discuss a sequel to 1988’s cult hit Beetlejuice he told Haris Zambarloukos ...
Oct 17, 2024 · Released last month, Beetlejuice Beetlejuice is Tim Burton’s sequel to his 1998 comedy horror. Burton worked with cinematographer Haris Zambarloukos on the sequel, who opted to use the Sony VENICE 2 camera on the project, stating: “I really do like the colour aspect of the Sony VENICE 2, I think it’s great at rendering colours ...
Haris' drone war film with Oscar winning director Gavin Hood Eye In The Sky was released on March 11 2015. Haris also lensed Denial directed by Mick Jackson and his fifth collaboraton with Sir Kenneth on the the Agatha Christie classic Murder On The Orient Express is in theatres now and screening in 70mm. Currently, Haris is in preparation for ...
Sep 30, 2024 · Beetlejuice Beetlejuice. Sep 30, 2024. “What I’ve always loved about his films is that incredible warmth and that incredible imagination,” cinematographer Haris Zambarloukos, BSC, GSC says of director Tim Burton. Well known for his longtime collaboration with director Kenneth Branagh on features such as Belfast and A Haunting in Venice ...
Oct 19, 2024 · VENICE 2 has two different base ISOs – 800 and 3200 – and for Beetlejuice Beetlejuice the ability to shoot at 3200 ISO with no loss of image quality really helped Zambarloukos to bring its strange Afterlife world to the big screen. “Tim was certainly curious about a very high-speed sensor and the idea that we could shoot at 3200 ASA ...
