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  1. 11 March 1970 (age 54) Nicosia, Cyprus. Occupation. Cinematographer. Website. zambarloukos.com. Haris Zambarloukos, B.S.C. (Greek: Χάρης Ζαμπαρλούκος; born 11 March 1970) is a Greek-Cypriot cinematographer. He is best known for his work on films such as Venus (2006), Sleuth (2007), Mamma Mia! (2008), Thor (2011), and Belfast ...

  2. Dec 6, 2021 · In Belfast, writer/director Kenneth Branagh returns to his childhood and the poetic perspective of a young boy coming to understand the beauty and challenges all around him. For nine-year-old Buddy (Jude Hill), the world is filled with the adventure of Hollywood movies, a budding romance with a girl at school, the warmth of his grandparents ...

  3. Haris Zambarloukos is the cinematographer behind films like Mamma Mia!, Thor, Cinderella and more. His latest film, Kenneth Branagh’s Belfast, hits theaters Nov. 12. Below, Haris shares five films that shaped his appreciation for cinema. Like Belfast, they were all shot in black-and-white.

  4. Nov 23, 2021 · It’s a dilemma cinematographer Haris Zambarloukos understood well. Born on the Mediterranean island of Cyprus, Zambarloukos and his family departed following a 1972 military coup and subsequent invasion by the Turkish army. “I had a similar history as Ken to some extent,” said Zambarloukos.

  5. Oct 8, 2010 · Cinematographer Haris Zambarloukos talks to Alexander Leontaritis about his life in Hollywood and his collaborations with some of the biggest stars in the film industry.

  6. Haris Zambarloukos was born on 11 March 1970 in Nicosia, Cyprus. He is a cinematographer and actor, known for Belfast (2021), Cinderella (2015) and Death on the Nile (2022). Menu

  7. Zambarloukos’ primary lenses for the project were a combination of Ultra Panatar and Ultra Panatar II 1.3x anamorphic optics, which he paired with Panavised Venice 2 camera bodies. In this video, he also shares insights into the movie’s visual effects, working across continents in the U.K. and the U.S., and the inspiration he found in Thomas E. Ackerman, ASC’s cinematography on the ...

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