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11 March 1970 (age 54) Nicosia, Cyprus. Occupation. Cinematographer. Website. zambarloukos.com. Haris Zambarloukos, B.S.C. (Greek: Χάρης Ζαμπαρλούκος; born 11 March 1970) is a Greek-Cypriot cinematographer. He is best known for his work on films such as Venus (2006), Sleuth (2007), Mamma Mia! (2008), Thor (2011), and Belfast ...
Haris Zambarloukos was born on 11 March 1970 in Nicosia, Cyprus. He is a cinematographer and actor, known for Belfast (2021), Cinderella (2015) and Death on the Nile (2022). More at IMDbPro. Contact info. Agent info.
- January 1, 1
- 2 min
- Nicosia, Cyprus
Haris Zambarloukos is the cinematographer behind films like Mamma Mia!, Thor, Cinderella and more. His latest film, Kenneth Branagh’s Belfast, hits theaters Nov. 12. Below, Haris shares five films that shaped his appreciation for cinema. Like Belfast, they were all shot in black-and-white.
Sep 30, 2024 · Beetlejuice Beetlejuice. Sep 30, 2024. “What I’ve always loved about his films is that incredible warmth and that incredible imagination,” cinematographer Haris Zambarloukos, BSC, GSC says of director Tim Burton. Well known for his longtime collaboration with director Kenneth Branagh on features such as Belfast and A Haunting in Venice ...
A Haunting in Venice cinematographer Haris Zambarloukos takes us behind the lens with four films that inspired the visual style of the latest Hercule Poirot mystery. This story was written during the 2023 WGA and SAG-AFTRA strikes in accordance with the DGA contract ratified with AMPTP in June 2023.
- Brian Formo
Aug 31, 2023 · Beetlejuice 2 cinematographer Haris Zambarloukos teases the story details and theme of the Tim Burton sequel, which will continue the tale of the 1988 horror comedy. The original movie told the story of a recently deceased couple's struggles with a new family moving into their former home and their dealings with a shady, loud, and over-the-top bio-exorcist.
Zambarloukos’ primary lenses for the project were a combination of Ultra Panatar and Ultra Panatar II 1.3x anamorphic optics, which he paired with Panavised Venice 2 camera bodies. In this video, he also shares insights into the movie’s visual effects, working across continents in the U.K. and the U.S., and the inspiration he found in Thomas E. Ackerman, ASC’s cinematography on the ...
