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A. Today, yes, and short-story writer. But his works on rural Britain were highly esteemed in their day, and it was for these rather than his fame as a novelist that he was knighted in 1912. . Q. And a little more about his life. A. Sir Henry Rider Haggard was born in 1856, the sixth son of a Norfolk squire.
Sir H. Rider Haggard (born June 22, 1856, Bradenham, Norfolk, Eng.—died May 14, 1925, London) was an English novelist best known for his romantic adventure King Solomon’s Mines (1885). The son of a barrister, Haggard was educated at Ipswich grammar school and by private tutors.
- The Editors of Encyclopaedia Britannica
Haggard's books were illustrated by some of the world's finest illustrators. Here are some of the more striking illustrations from Haggard stories as they appeared in book and magazine appearances. Click on any bookcover to see a larger version of it.
She, subtitled A History of Adventure, is a novel by the English writer H. Rider Haggard, published in book form in 1887 following serialisation in The Graphic magazine between October 1886 and January 1887. She was extraordinarily popular upon its release and has never been out of print.
- H. Rider Haggard
- 1887
Dec 19, 2013 · This paper will read Haggard’s novel in the context of the Will’s Act of 1837, in which the will became a written document, and assumptions about women as conveyors of property in order to chart the way Haggard uses the woman’s body to map a legal topography and qualifies assumptions about the humaneness of literature in the process.
- Cathrine O. Frank
- 2013
Sir Henry Rider Haggard KBE (/ ˈhæɡərd /; 22 June 1856 – 14 May 1925) was an English writer of adventure fiction romances set in exotic locations, predominantly Africa, and a pioneer of the lost world literary genre. He was also involved in land reform throughout the British Empire.
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“List of Legal Novels,” John H. Wigmore included H. Rider Haggard’s Mr. Meeson’s Will ( ), a seldom read novel today but one which raises questions about the relation-ships between testamentary volition and its legal expression, the gendered inequities of Victorian property law, as well as the relations between law and literature.
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