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Jun 8, 2019 · Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia Fontana (1552–1614) prompted me to revisit the self-portraits painted by these two women.
Media in category "Group portrait paintings" The following 114 files are in this category, out of 114 total.
- Judith Leyster’s Iconic Self-Portrait. Painted in 1630 at the height of her career, Judith Leyster’s self-portrait naturally depicts the artist sitting at an easel with a paintbrush in her dominant hand.
- The Concert. Like most of Judith Leyster’s paintings, including her self-portrait, The Concert has a plain background to eliminate distraction from the three musicians, who are in the midst of a performance.
- The Jolly Drinker. During the Dutch Golden Age, cheerful drinkers in over-the-top outfits were a popular and entertaining subject for genre painters. Judith Leyster’s The Jolly Drinker—also known as The Jolly Toper and A Fool Holding a Jug—showcases the aesthetic and thematic possibilities of such a subject.
- A Boy and A Girl with a Cat and an Eel. Judith Leyster frequently painted children playing and laughing. A Boy and a Girl with a Cat and an Eel is a cheerful genre scene featuring two children with small animals in their arms.
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This painting demonstrates Frans Hals’s gift for creating lively and animated portraits that suggest distinctive personalities, even though the sitter’s identity remains a mystery. Painted life-size in three-quarter-length, she stands against a monochrome beige-brown background and looks directly at us.
With slim fingers she gestures towards a sprig of forget-me-nots. The flowers were sometimes a symbol of marriage, so she may have been portrayed to commemorate an engagement, but they also refer to remembrance.
People also ask
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Why did Judith Leyster paint a boy and a girl?
The Lady with an Ermine [n 1] is a portrait painting by the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491 , the work is painted in oils on a panel of walnut wood . Its subject is Cecilia Gallerani , a mistress of Ludovico Sforza ("Il Moro"), Duke of Milan ; Leonardo was painter to the Sforza court in Milan at the time of its execution.
Ready to hang. Inspiration From The Phenomena Of Nature, Whether Human Or The Physical.
