Socks Barbarrosa
Search results
Just the musical number, the W.C. Handy standard, Leslie Caron, as New Orleans gal Angie, in a rare vocal performance, Charles O Curran the credited choreographer, and the band led by trombone giant Jack Teagarden, in Raoul Walsh s Glory Alley, 1952, starring Ralph Meeker.
Glory Alley (1952) -- (Movie Clip) St. Louis Blues Just the musical number, the W.C. Handy standard, Leslie Caron, as New Orleans gal Angie, in a rare vocal performance, Charles O’Curran the credited choreographer, and the band led by trombone giant Jack Teagarden, in Raoul Walsh’s Glory Alley, 1952, starring Ralph Meeker.
- Raoul Walsh, Joel Freeman, Gilbert Kay
- Ralph Meeker
May 11, 2020 · The story of jamming with the Roman New Orleans jazz band remained one of Armstrong’s favorites for the rest of his life. He had played Italy in 1934 and didn’t hear much of his music during that trip but to return 15 years later and find a young band of Italian musicians playing the music of King Oliver and the Hot Five was a proud indication of how far his music had spread.
Louis Armstrong (1901–71) Armstrong’s early life, growing up in the New Orleans slums, gave no sign of his influence on the evolution of jazz and the major part he played in popular music in the 20th century. After firing a pistol in public, Armstrong was sent to the Coloured Waifs Home. Peter Jones, who organised the home’s brass band ...
This film lost $621,000 for MGM in 1952 ($6.9M in 2022 dollars) according to studio records. It brought in less than half of what it cost to produce, distribute and promote. Ironically, the non-musical Glory Alley (1952) marked the heaviest on-screen singing role for Leslie Caron. Her club act vocals, rendered largely in French, illustrate that ...
Glory Alley: Directed by Raoul Walsh. With Ralph Meeker, Leslie Caron, Kurt Kasznar, Gilbert Roland. An about-to-retire New Orleans newspaper columnist tells the story of a most unforgettable character: boxer Socks Barbarossa.
Sep 10, 2012 · Disgorged in clumsy chunks by Art Cohn 's script, this farrago becomes much easier to take when leavened by Walsh's ebullient response to the low-life fellowship of the milieu. The jazz score ...
