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The Paris Old Man might have then been kept in the workshop for reuse in other compositions, as a similar face reappears with some variations on a smaller scale in two religious and secular paintings by and after Massys: Christ among the Doctors (a panel from the Madre de Deus Altarpiece, 1509–13; Museu Nacional de Arte Antiga, Lisbon) and A Grotesque Betrothal (about 1525–35; Museu de ...
The paintings preserved at Notre-Dame date back to the 17th and 18th centuries. Commissioned by the cathedral's canons from the most illustrious Parisian painters, they bear witness to the artistic quality of religious painting in Paris at that time.
Aug 10, 2017 · Gilles (or Pierrot) and Four Other Characters of the Commedia dell'arte (c. 1718-19). Louvre, Paris
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Marie Laurencin | 1923 | Oil on Canvas | Level 2, Room 11 Paris-born Marie Laurencin began her artistic career as a porcelain painter for Sevres. Early on, she joined the radical Cubist rebellion, explains art historian Daniel Marchesseau. Later, she joined a group of artists, poets, and critics known as the Section d’Or (Golden Section). In 1923, ...
Henri Rousseau | 1908 | Oil on Canvas | Level 2, Room 13 Did you know that Henri Rousseau was a self-taught artist? In fact, he didn’t even begin his artistic career in mid-life. Instead, he spent years working as a toll and tax collector. That earned him the famous nickname, “Le Douanier” or “Customs Officer.” Art critics considered his style naïv...
Maurice Utrillo | 1924 | Oil on Canvas | Level 2, Room 14 It’s likely that Maurice Utrillo is the important postimpressionist artist you’ve never heard of. According to art historian, Gustave Coquiot, Utrillo was the son of Suzanne Valadon: artist, model, and former trapeze artist. She also modeled for artists like Renoir. Valadon was also a popula...
Chaïm Soutine | 1922-23 | Oil on Canvas | Level 2, Room 15 The quintessential starving artist is epitomized by Chaïm Soutine. He lived in a run-down building in Paris called “La Ruche” (“the hive”) along with several other artists, including Amedeo Modigliani. He had moved to Paris from Belarus to make his name like many artists before him. Soutine...
Paul Cézanne | 1880 | Oil on Canvas | Level 2, Room 10 Many art experts consider Cézanne to be the father of modern art. As curator Sylvie Patin explains, it’s because Cézanne basically invented a new way of painting. Although he began his career in the established styles of Romanticism and Realism, he felt dissatisfied with it. So, he began his re...
Amedeo Modigliani | 1915 | Oil on Cardboard, Glued onto Parquet Plywood | Level 2, Room 8 Modigliani always chose to paint very traditional subject matter. For example, this portrait embodies that in terms of format and genre. However, his style was actually non-traditional, and even the materials he used were unusual at times. In this portrait of ...
Auguste Renoir | 1892 | Oil on Canvas | Level 2, Room 9 It’s impossible to miss a painting by Renoir, one of the most famous French impressionist painters of them all. Forms and colors seem to turn into liquid or air thanks to the inspired brushwork of this masterful painter! Art historian Charlotte Nalle Eyerman tells us that one of Renoir’s favor...
Pablo Picasso | 1921 | Oil on Canvas | Level 2, Room 11 In his very long artistic career, Picasso’s style changed many times. Early on, his painting and drawing was rooted in realism. Picasso expert Kenneth Silver points out that it was almost ingrained in the artist to challenge tradition. One way he did that was by taking a favorite subject of cl...
Henri Matisse | 1921 | Oil on Canvas | Level 2, Room 8 Henri Matisse loved color. Early in his career, writes Matisse expert Dominique Fourcade, he was a member of a small group of Parisian painters called “Les Fauves.” Fauvemeans “wild beast.” They earned the name as the group preferred using bright, explosive colors over naturalistic ones. A crit...
Claude Monet | 1914-26 | Oil on Canvas and Multiple Panels, Mounted on the Wall | Gallery 3 The crown jewels of this museum are without question Monet’s Water Lilies.The museum displays the paintings ingeniously. Two large oval-shaped galleries are the permanent home of eight panels of painting. Each panel is 6.5-feet high and nearly 400-feet long ...
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5 days ago · Giotto would go on to fresco the Scrovengi Chapel, which was full of color and told an immense story. The chapel brought art one step closer to the Renaissance, which produced some of the world’s most famous artwork—much of which is in the Louvre.
