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  1. Jun 6, 2017 · The first concerns what future art must be like in order to continue fulfilling the ambitious mission Hegel assigns to it. The second regards what the value of art, not just as an articulation of humans’ deepest truths but as a sensuous articulation of those truths, might be.

  2. Jan 20, 2009 · Hegel’s account of symbolic art (or “pre-art”) draws widely on the work of other writers, such as his former colleague at Heidelberg, Georg Friedrich Creuzer, the author of Symbolism and Mythology of Ancient Peoples, especially the Greeks (1810–12).

  3. Georg Wilhelm Friedrich Hegel (1770–1831) systematizes many intuitions of romantic aesthetics and gives an ordered and complete form to aesthetic expe-rience and categories of art.

  4. Georg Wilhelm Friedrich Hegel[ a ] (27 August 177014 November 1831) was a German philosopher and one of the most influential figures of German idealism and 19th-century philosophy. His influence extends across the entire range of contemporary philosophical topics, from metaphysical issues in epistemology and ontology, to political ...

  5. 6 Common Ideas of Art. (i) The Work of Art as a Product of Human Activity (ii) The Work of Art, as being for Apprehension by Man’s Senses, is drawn from the Sensuous Sphere (iii) The Aim of Art. 7 Historical Deduction of the True Concept of Art. (i) The Kantian Philosophy (ii) Schiller, Winckelmann, Schelling (iii) Irony.

  6. Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.

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  8. Jul 20, 2014 · The opening of the text introduces the reader to the concept of aesthetics and its significance in understanding art, distinguishing it from natural beauty and emphasizing the philosophical treatment of fine art.

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