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Die Kunst der Fuge, BWV 1080. Canon in D major, BWV 1086. 14 Canons, BWV 1087. Christus, der uns selig macht, BWV Anh.72 (Canon in G minor) Keyboard Works by Johann Sebastian Bach. Inventions and Sinfonias, BWV 772–801. 15 Inventions, BWV 772-786. BWV 772 — Invention in C major. BWV 772a — Invention in C major.
- Cauê Muratt
Submissions of copyrighted works are allowed only with the...
- Wolfgang Graeser
Wolfgang Graeser - Die Kunst der Fuge, BWV 1080 (Bach,...
- Donald Francis Tovey
Works edited by: Tovey, Donald Francis. The following 2...
- Cauê Muratt
Further, the notion that Bach began work and worked intensively dur-ing his last years, or even months, on his monument to the contrapuntal art, Die Kunst der Fuge ( BWV 1080), is contradicted by the careful study of the autograph first version. This score is a fair copy which is on the same paper as the Peasant Cantata ( BWV 212) of 1742.
The Art of Fugue, or The Art of the Fugue (German: Die Kunst der Fuge), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach. Written in the last decade of his life, The Art of Fugue is the culmination of Bach's experimentation with monothematic instrumental works. This work consists of fourteen fugues ...
Feb 22, 2020 · Openlibrary_work OL4445967W Page_number_confidence 72 Page_number_module_version 1.0.5 Pages 368 Pdf_module_version 0.0.23 Ppi 300 Republisher_date 20200222122951 Republisher_operator associate-russelpamela-maglasang@archive.org Republisher_time
Jan 20, 2009 · G.W.F. Hegel’s aesthetics, or philosophy of art, forms part of the extraordinarily rich German aesthetic tradition that stretches from J.J. Winckelmann’s Thoughts on the Imitation of the Painting and Sculpture of the Greeks (1755) and G.E. Lessing’s Laocoon (1766) through Immanuel Kant’s Critique of the Power of Judgment (1790) and Friedrich Schiller’s Letters on the Aesthetic ...
Nov 23, 2023 · Bach, Johann Christoph Friedrich 39, 129–30. Bach, Johann Sebastian. biographical context 1–3, 48–49. Bach, Johann Sebastian. Art of Fugue BWV 1080. compositional history 3, 36–47. initial audience 4–6, 18–20, 47–52. original sources 36–47, 83–87, 110–11. reference editions 7. Art of Fugue BWV 1080
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Bach began in 1742, at the very latest, to write down parts of The Art of Fugue. He did that following the example of a long tradition of complex contrapuntal works traceable back to the works of Buxtehude via Froberger to Frescobaldi, on four staves each with its own clef as if applicable for four-part vocal work: soprano, alto, tenor and bass.
