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The resulting e-book presents open licensed educational materials that deal with the building blocks of musical stave (sometimes known as staff) notation, a language designed to communicate about musical ideas which is in use around the world.
- Nikki Moran
Jul 1, 2021 · Open Music Theory is a natively-online open educational resource intended to serve as the primary text and workbook for undergraduate music theory curricula. OMT2 provides not only the material for a complete traditional core undergraduate music theory sequence (fundamentals, diatonic harmony, chromatic harmony, form, 20th-century techniques ...
- Mark Gotham, Kyle Gullings, Chelsey Hamm, Bryn Hughes, Brian Jarvis, Megan Lavengood, John Peterson
- 2021
OMT2 offers thorough coverage of current topics in music theory, and can easily serve as a textbook for fundamentals courses, standard undergraduate theory sequences, and introductions to post-tonal theory.
- Mark Gotham
- Version 2
Music Learning Theory serves as a theoretical framework that “offers guidance and direction for development of appropriate method…” (Gordon, 2012, p. 28). This keynote identifies and explores some of the key principles of that theoretical framework: (1) audiation is the core of Music Learning Theory; (2) syntax and context is fundamental ...
After 20 years of teaching music to middle school students, high school students, college students, and some professionals, I find that almost all people who take up music be it a hobbyist, a professional, or even an educator have issues understanding music theory as a form of study.
understanding music theory is mysterious and daunting, far too daunting to unravel. The fact is this is just not true. When stripped down to its bare essentials, the building blocks of music can be very straightforward and easy to understand. So, that’s what this book is going to do, give you music theory in a way that’s accessible. This ...
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Aug 21, 2016 · The best music theory writing emerges organically from a question or observation about a piece of music. Music must be at the center of any effective music theory discussion. This book takes the opposite approach, introducing many topics abstractly without any reference to an actual piece of music. Take for example its discussion of the triad:
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