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Georg C. Klaren (1900–1962) was an Austrian screenwriter and film director. He worked on a number of screenplays with Herbert Juttke during the silent and early sound eras including Alfred Hitchcock 's 1931 film Mary. [1]
Discover Georg C. Klaren's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 62 years old?
Georg C. Klaren was born on 10 September 1900 in Vienna, Austria-Hungary [now Austria]. He was a writer and director, known for Kinder vor Gericht (1931), Die Regimentstochter (1953) and Manolescu, der Fürst der Diebe (1933). He died on 18 November 1962 in Sawbridgeworth, England, UK.
- Writer, Director
- September 10, 1900
- Georg C. Klaren
- November 18, 1962
Georg C. Klaren (1900–1962) was an Austrian screenwriter and film director. He worked on a number of screenplays with Herbert Juttke during the silent and early sound eras including Alfred Hitchcock's 1931 film Mary. [1] After the Second World War, Klaren became the head dramaturge at the East German state-owned studio DEFA.
Georg C. Klaren is known as an Writer, Screenplay, Director, Screenstory, Story, and Original Story. Some of their work includes Sex in Chains, Voyage Without Hope, The Hound of the Baskervilles, Der Schritt vom Wege, Cagliostro, A Knight in London, Gloria, and Clarissa.
Georg C. Klaren (1900–1962) was an Austrian screenwriter and film director. He worked on a number of screenplays with Herbert Juttke during the silent and early sound eras including Alfred Hitchcock's 1931 film Mary. After the Second World War, Klaren became the head dramaturge at the East German state-owned studio DEFA. Selected filmography
Georg C. Klaren's post-war German adaptation of Buechner's unfinished drama, "Woyzeck," is a Truemmer-film without the ruins, translating the 19th century play into contemporary terms for a shell-shocked German audience, while attempting to reestablish ties to a radical, democratic literary tradition that had been obliterated by the Nazis.
