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Franz Xaver Kroetz – banana-cutter, hospital orderly, fledgling actor and, more significantly, Germany's most popular contemporary dramatist of the seventies and early eighties.
Franz-Xaver Kroetz was born on 25 February 1946 in Munich, Germany. He is an actor and writer, known for Die Geschichte vom Brandner Kaspar (2008), Der Leibwächter (1989) and Viagem para a Felicidade (1978). He was previously married to Marie Theres Relin.
- January 1, 1
- 2 min
- Munich, Germany
Stallerhof is a 1971 play in three acts by Franz Xaver Kroetz. Along with its sequel Geisterbahn (1975), it is regarded as one of Kroetz's most important works in the period. [1]
Oct 24, 2016 · Britain hasn’t seen a Franz Xaver Kroetz play in nine years. Germany’s most produced living playwright has never been staged by a major UK theatre, not even the writer-centric Royal Court, or...
Theatre, particularly British theatre, is an artform that most often relies on words as a means to meaning – but Kroetz’ plays instead frequently deal in hollow chatter punctuated with pregnant silences as his characters struggle with their inability to articulate their true thoughts and feelings.
Apr 30, 2009 · On Saturday evening, Hoy Polloy Theatre is presenting what is, unbelievably, the Australian premiere of Franz Xaver Kroetz's 1978 play, Tom Fool (Mensch Meier). Not that Ms TN needs any excuse to leap at the chance of an interview with Kroetz, whose extraordinary hyper-realist plays exerted a profound influence on post-war theatre.
The theme of the earlier Kroetz plays is the social deformation of marginal groups in society. The most well-known of these plays are Game Crossing (Wildwechsel, 1968; Fassbinder's film version appears in English under the title Jailbait), Men's Business (Mannersache, 1970) and Farmyard (Stallerhof, 1971).
