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Franz Xaver Kroetz – banana-cutter, hospital orderly, fledgling actor and, more significantly, Germany's most popular contemporary dramatist of the seventies and early eighties.
Kroetz's short scene depicts the development of a kind of trust on the part of the German woman. Her questions throughout express 1. Franz Xaver Kroetz, Furcht und Hoffnung der BRD: Das Stuck, das Material, das Tagebuch (Frankfurt am Main: Suhrkamp, 1984), 73-77; further citations from this work will be included in the text.
The theme of the earlier Kroetz plays is the social deformation of marginal groups in society. The most well-known of these plays are Game Crossing (Wildwechsel, 1968; Fassbinder's film version appears in English under the title Jailbait), Men's Business (Mannersache, 1970) and Farmyard (Stallerhof, 1971).
Apr 10, 2012 · In just 60 minutes this 1972 work by Franz Xaver Kroetz paints a startling picture of family life more complete and detailed than many playwrights would manage in double the running time.
- Fiona Mountford
Instead of the emotional stakes of the play originating from eloquence, the power of the drama comes from, as Kroetz puts it, “the tension that arises when the correspondence between feelings and language breaks down.”
Apr 30, 2009 · On Saturday evening, Hoy Polloy Theatre is presenting what is, unbelievably, the Australian premiere of Franz Xaver Kroetz's 1978 play, Tom Fool (Mensch Meier). Not that Ms TN needs any excuse to leap at the chance of an interview with Kroetz, whose extraordinary hyper-realist plays exerted a profound influence on post-war theatre.
Theatre review of Tom Fool (Franz Xaver Kroetz, translated by Estella Schmid and Anthony Vivis) at Bush Theatre - reviewer: Philip Fisher.