Yahoo Web Search

Search results

  1. Oct 31, 2013 · This document provides an overview of the history and development of folk music in America. It discusses how folk music originated from British ballads and songs brought over by immigrants. These songs were passed down orally through generations living in isolation in the Appalachian Mountains.

    • Overview
    • Narrative basis
    • Oral transmission

    ballad, short narrative folk song, whose distinctive style crystallized in Europe in the late Middle Ages and persists to the present day in communities where literacy, urban contacts, and mass media have little affected the habit of folk singing. The term ballad is also applied to any narrative composition suitable for singing.

    France, Denmark, Germany, Russia, Greece, and Spain, as well as England and Scotland, possess impressive ballad collections. At least one-third of the 300 extant English and Scottish ballads have counterparts in one or several of these continental balladries, particularly those of Scandinavia. In no two language areas, however, are the formal characteristics of the ballad identical. For example, British and American ballads are invariably rhymed and strophic (i.e., divided into stanzas); the Russian ballads known as byliny and almost all Balkan ballads are unrhymed and unstrophic; and, though the romances of Spain, as their ballads are called, and the Danish viser are alike in using assonance instead of rhyme, the Spanish ballads are generally unstrophic while the Danish are strophic, parcelled into either quatrains or couplets.

    Typically, the folk ballad tells a compact little story that begins eruptively at the moment when the narrative has turned decisively toward its catastrophe or resolution. Focusing on a single, climactic situation, the ballad leaves the inception of the conflict and the setting to be inferred or sketches them in hurriedly. Characterization is minimal, the characters revealing themselves in their actions or speeches; overt moral comment on the characters’ behaviour is suppressed and their motivation seldom explicitly detailed. Whatever description occurs in ballads is brief and conventional; transitions between scenes are abrupt and time shifts are only vaguely indicated; crucial events and emotions are conveyed in crisp, poignant dialogue. In short, the ballad method of narration is directed toward achieving a bold, sensational, dramatic effect with purposeful starkness and abruptness. But despite the rigid economy of ballad narratives, a repertory of rhetorical devices is employed for prolonging highly charged moments in the story and thus thickening the emotional atmosphere. In the most famous of such devices, incremental repetition, a phrase or stanza is repeated several times with a slight but significant substitution at the same critical point. Suspense accumulates with each substitution, until at last the final and revelatory substitution bursts the pattern, achieving a climax and with it a release of powerful tensions. The following stanza is a typical example:

    Britannica Quiz

    Poetry: First Lines

    Then out and came the thick, thick blood,

    Then out and came the thin,

    Then out and came the bonny heart’s blood,

    Since ballads thrive among unlettered people and are freshly created from memory at each separate performance, they are subject to constant variation in both text and tune. Where tradition is healthy and not highly influenced by literary or other outside cultural influences, these variations keep the ballad alive by gradually bringing it into line ...

  2. Sep 23, 2024 · folk music, type of traditional and generally rural music that originally was passed down through families and other small social groups. Typically, folk music, like folk literature, lives in oral tradition; it is learned through hearing rather than reading.

  3. Sep 23, 2024 · Folk music - Origins, Traditions, Styles: Since folk music lives in oral tradition, its history can best be understood through a study of its relationship to other musics. Many folk songs collected in oral tradition have been traced to literary sources, often of considerable antiquity.

  4. Folk music, folk songs, and ballads are nested categories of traditional expression: folk songs are folk music that has words, and ballads are folk songs that tell stories. These genres are universal; all people make music, and almost all start with what scholars would call “folk music.”

  5. The folk music of England is a tradition-based music which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music.

  6. People also ask

  7. Oct 15, 2024 · Folk‐songs are songs of unknown authorship passed orally from generation to generation, sung without acc., and often found in variants (of words and tune) in different parts of a country (or in different countries).

  1. People also search for