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- Zulu (1964) Barry used the bold rhythms of real Zulu war chants to bring a majestic, forbidding quality to his sparing score for this suspenseful true story of courage on both sides of the Battle of Rorke’s Drift.
- Goldfinger (1964) Reputedly Barry’s favourite of his own soundtracks, his second full 007 score gleams with brassy panache and features some of his most striking background music, like the vivacious ‘Into Miami’, as well as the Shirley Bassey hit that remains for many the archetypal Bond theme song.
- The Ipcress File (1965) For espionage more gloomy than glamorous, Barry concocted a modern, sardonic sound inspired by the famous Anton Karas score for The Third Man (1949), which was ideal for the bleak world of Len Deighton’s spy Harry Palmer.
- Born Free (1966) Winner of two Oscars (for original score and song), this is a prime example of Barry’s ability to capture the grandeur of spectacular locations (here, the African veldt) alongside the playful intimacy of the story’s domestication of some orphaned lion cubs.
Jul 19, 2015 · This week we celebrate 10 of the most memorable film music scores by Jazz musician turned legendary British composer and "sound of Bond" John Barry, whose wo...
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John Barry Prendergast OBE (3 November 1933 – 30 January 2011) [1] [2] was an English composer and conductor of film music. Born in York, Barry spent his early years working in cinemas owned by his father. During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet.
6. The Last Valley. 1971 2h 8m PG. 7.0 (3.6K) Rate. During the Thirty Years' War of 1600s, a band of Protestant mercenaries peacefully coexist with German Catholic villagers in a hidden idyllic mountain valley untouched by war. Director James Clavell Stars Michael Caine Omar Sharif Florinda Bolkan.
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The Music of John Barry: The Definitive Collection. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop.
