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The picture, attributed to Titian in the inventory of 1693, is the work of Bonifacio de’ Pitati. The scene, taken from the Gospel of Matthew (20:20-28), depicts the request that Salome, mother of James and John, sons of Zebedee, makes to Jesus to let her sons sit beside him.
This dissertation takes the form of a chronologically arranged, biographical survey of the career of Bonifacio de' Pitati in the form of seven interconnected essays that address areas in which the artist's impact and contribution to Venetian painting is in need of definition.
SABINA DE FAZI. Viterbo, Chiesa del Suffragio- A c1u;isi vent'anni dalla loro "ri- scoperta" da parte di Italo Faldi( l ) cente rinvenimento di .va% Iinteressanti dati docu~nentari ( 2 ) e l'analisi delle opere superstiti per- mette oggi di individuare piìi det- tagliatamente le personalità di An- ton Angelo e Francesco Maria Ro- nifcizi ...
Trama. Maria convive con Vincenzo, un uomo spietato e senza cuore di origini francesi, con cui ha un rapporto di subordinazione. Lui l'ha costretta a procreare per la surrogazione di maternità. Usa la spirale per evitare di rimanere incinta ma Vincenzo la scopre.
Today in the Antiricetto, Latin commendations to accompany the effigies of Lorenzo the Magnificent, and Ferdinand II of Lorraine and his son, Leopold II, the last Grand Duke have been added to Lanzi’s elogia.
of The Presentation of the Virgin in Santa Maria della Pace in Rome for his St. Homobono and the beggar in the Tailor’s guild altarpiece, shows that already by 1533, Bonifacio was deliberately searching out central Italian mannerist examples. His precocious experimentation with plunging spatial effects
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