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  1. Sarah Deagan (as Jordan Puryear) Kyle Timothy Smith. ... Billy Hutchinson (as Kyle Smyth) Celia Weston. ... Mona Lauder. Barbara Garrick. ...

  2. Budget. $13.5 million [3] Box office. $29 million [3] Far from Heaven is a 2002 historical romantic drama film written and directed by Todd Haynes, and starring Julianne Moore, Dennis Quaid, Dennis Haysbert, and Patricia Clarkson. It premiered at the Venice Film Festival, where Moore won the Volpi Cup for Best Actress, and cinematographer ...

    Ceremony
    Category
    Recipients
    Result
    Best Actress
    Nominated
    Best Original Screenplay
    Nominated
    Best Cinematography
    Nominated
    Best Original Score
    Nominated
  3. Far from Heaven: Directed by Todd Haynes. With Julianne Moore, Dennis Quaid, Dennis Haysbert, Patricia Clarkson. In 1950s Connecticut, a flustered housewife faces a marital crisis and mounting racial tensions in the outside world.

    • (50K)
    • Drama, Romance
    • Todd Haynes
    • 2003-01-10
  4. Leslie Shatz. Sound Re-Recording Mixer. Marshall Garlington. Sound Re-Recording Mixer. Kelley Baker. Supervising Sound Editor. Todd Haynes. Screenplay. In 1950s Connecticut, a housewife's life is upended by a marital crisis and mounting racial tensions in society.

  5. Nov 15, 2002 · Todd Haynes ‘ “Far from Heaven” is like the best and bravest movie of 1957. Its themes, values and style faithfully reflect the social melodramas of the 1950s, but it’s bolder, and says out loud what those films only hinted at. It begins with an ideal suburban Connecticut family, a husband and wife “team” so thoroughly absorbed into ...

  6. Learn more about the full cast of Far From Heaven with news, photos, videos and more at TV Guide. ... Chucky Fans: This 7-Movie Blu-Ray Collection Is 60% Off for a Limited Time!

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  8. Far From Heaven is an expert pastiche of Douglas Sirk melodramas of the 1950s - particularly All That Heaven Allows and Imitation of Life - that also stands on its own two feet. The gimmick, and there is always one where homages are concerned, is that Haynes deals with themes that were resolutely off-limits for moviemakers during the Eisenhower era, like homosexuality and inter-racial love.