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Oct 10, 2019 · An excellent performance of Beethoven's groundbreaking masterpiece, his Symphony No. 3 - the Eroica (Latin for "heroic").* Viewing on a system with high-qual...
- 51 min
- 283.1K
- David Mack
Aurora Orchestra's memorised performance of Beethoven’s ‘Eroica’ at the 2017 BBC Proms, presented with a vivid musical introduction by Nicholas Collon and To...
- 75 min
- 28.4K
- Aurora Orchestra
The London Symphony Orchestra plays the Internet Symphony No. 1 "Eroica" - for YouTube, conducted by Tan Dun.To view submissions, visit:http://youtube.com/sy...
- 5 min
- 2.3M
- YouTube Symphony Orchestra 2011
- Rediscover Beethoven’s ‘Eroica’ Symphony No. 3
- This Was The Start of Beethoven’s “Heroic” Period of Composition
- The Second Movement Is A Funeral March; The Big Question Is Why
- The Scherzo Returns The Music to Life, Air, and Spirit
- Responses to The Work Were Divided at First
- The ‘Eroica’ Symphony’s Influence Extended Far Into The Future
The story goes that Ludwig van Beethoven scrubbed out the dedication on his Symphony No.3, the ‘Eroica’, so hard that he left a hole in the paper. Ultimately, a cryptic comment remained on the title page: “Composed to celebrate the memory of a great man.” The excised words had referred to Napoleon Bonaparte. Beethoven revered Napoleon at first for ...
This disillusionment changed not just the dedication but also the artistic fate of Beethoven’s Symphony No.3. When in 1801-02 he first began to sketch out ideas for a work of unprecedented scale and ambition, he intended it to be fully programmatic and to bear the unequivocal title Bonaparte. Instead, as Sinfonia Eroica, the reference is sublimated...
The second movement is a funeral march; the big question, though, is why. Napoleon himself was very much alive, in his mid-thirties (he was a year older than Beethoven) and the bloodiest of his many military campaigns lay in the future. The common assumption that Beethoven was imagining the death of his (then) hero, therefore, seems slightly bizarr...
The scherzo returns the music to life, air, and spirit – bouncing back as Beethoven always seems to. Its trio section features an actual trio: three French horns delivering a sunlit ensemble, highlighting the fact that this was the first symphony to have required more than two of them. If Beethoven experienced a fascination with funeral marches, an...
Responses to the work were divided at first. While Beethoven’s friends considered it a masterpiece from the start, some commentators grumbled about the “endless duration of this longest and perhaps most difficult of all symphonies, which exhausts even connoisseurs and becomes unbearable for the mere amateur”. Soon, though, the musicians who were re...
The ‘Eroica’ Symphony’s influence extended far into the future, its impact immeasurable upon composers ranging from Schubert to Berlioz to Wagner (Siegfried’s Funeral Music from Götterdämmerung) and later Mahler. The principle of “developing variation” was also a prime compositional technique for Brahmsand, indeed, Schoenberg. In this symphony, Bee...
- 14 min
David Parry & London Philharmonic Orchestra & Johann Sebastian Bach. Berliner Philharmoniker, Herbert von Karajan, & Ludwig van Beethoven. 0:00 / 14:12. Beethoven: Symphony No. 3 in E Flat Major, Op. 55 "Eroica": I. Allegro con brio Berliner Philharmoniker, Herbert von Karajan & Ludwig van Beethoven • Beethoven: Symphony No.3 "Eroica" • 1993.
The Internet Symphony No. 1 - "Eroica", is a piece written by the Chinese composer Tan Dun for the YouTube Symphony Orchestra.It was the first of such events where musicians around the world play the same piece virtually via the internet, and the best performers selected were arranged into an internet symphony orchestra, featured on YouTube.
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May 31, 2013 · Beethoven’s Symphony No. 3 ‘Eroica’. Ludwig van Beethoven wrote his Symphony No. 3 between 1802 and 1804. Inspired by the French Revolution, he wanted to dedicate the Third Symphony to Napoleon, who at the time was seen as the liberator of the people. When Beethoven heard that Napoleon had crowned himself emperor in May 1804, he was appalled.
