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As Christmas approaches, Paul finds himself forced to choose between the woman with whom he has shared the last decade of his life and the passionate new partner who has given him a...
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In Radu Muntean’s closely observed, brilliantly acted relationship drama – a Romanian Scenes from a Marriage – middle-aged Paul (Mimi Brănescu) must choose between his wife of 10 years, Adriana (Mirela Oprişor), and his mistress, pediatric dentist Raluca (Maria Popistaşu).
May 25, 2011 · A Love Triangle, With Sharp Edges: Paul (Mimi Branescu, left) is an affable guy who loves his wife — and their daughter's orthodontist (Maria Popistasu, middle), too. Lover and wife (Mirela...
Jun 20, 2024 · Tuesday, After Christmas tells the story of Paul's relationship with these two woman and his contemplation of who he wants to be with. This is a very honest, genuine depiction of such events. It never feels overly dramatic, and is much more of a slow burn. The film opens with Paul and Raluca, in bed together post-coitus.
I confess that about half way through I was feeling that things were going a bit slow by concentrating on routine daily chores, like getting groceries, shopping for presents, taking the daughter to the dentist, and so forth. But this served to establish that the life of the couple Paul and Adriana had devolved into little more than daily routine.
Tuesday, After Christmas Posted on January 8, 2022 August 7, 2022 Author Arts & Faith In the days preceding Christmas, Paul must choose between his stable ten-year marriage to Adriana or his passionate affair with their daughter’s young dentist, Raluca, in a film replete with duplicity, double entendre, and relational boundary intrusions.
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Paul is driven between duty and love, but he decides to choose both: like so many men and anti-heroes before him, Paul takes the only way out to preserve the life he knows without having to suppress his feelings. He stays with Adriana and his child, and he stays with Raluca.