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Jun 8, 2016 · The Coen’s work is a labor of love and it is these intrinsic details (even calling women “twists” and “dames”, something TV period dramas like “Boardwalk Empire” have even excluded) that make it so clearly Coen-esque.
- The 10 Best Movies About Mysterious Strangers
The typical Western story with innovative character motifs...
- Traits of Coen Brothers Movies
Joel David Coen (born November 29, 1954) and Ethan Jesse...
- Nicholas Brady
The 10 Most Distinct Traits of Coen Brothers’ Cinema. Posted...
- The 10 Best Movies About Mysterious Strangers
- Fargo Was Shot During One Of Minnesota’s Warmest Winters. One of the most iconic things about Fargo is its setting - the snow-covered terrain of Minnesota.
- Fargo Was Almost Called Brainerd. Fans love to dig deep into many of the hidden meanings in Coen Brothers movies, from Barton Fink to The Big Lebowski, O Brother, Where Art Thou to A Serious Man.
- The Coens Insisted That The Film Was Indeed Based On A True Story. Fargo opens with the text “This is a true story” of events that took place in Minnesota in 1987, with names changed but the events occurring as they happened “out of respect for the dead.”
- Carter Burwell’s Score Was Inspired By A Norwegian Folk Song. Carter Burwell is one of the most prolific film composers working today and has long been a staple of Coen Brothers films - he has scored every one of their films except O Brother, Where Art Thou and Inside Llewyn Davis.
May 23, 2020 · During a 2008 interview with The New York Times, Bardem revealed that the role was quite a departure from those he was used to taking up to that point and that he told the Coen Brothers that...
Jul 21, 2022 · The placing of INSIDE LLEWYN DAVIS’ story in a concrete time period apart from contemporary trappings is a trait shared by the majority of the Coens’ previous work, giving their filmography a truly timeless appeal.
- The Coen Brothers Have A Way with Birds.
- Fargo Killed at The Box Office.
- Gene Siskel and Roger Ebert Gave Fargo Way More Than Two Thumbs Up.
- Fargo's Actors Went Through Extensive Training to Get Their Accents Right.
- The Upper Midwest Has A Love/Hate Relationship with Fargo.
- Fargo Marked A Major Comeback For One Actor.
- Only A Few Minutes of Fargo Take Place in Fargo.
- Fargo Features Two Very Familiar Coen Brothers Tropes.
- Steve Buscemi’s Word Count in Fargo Is A Running joke.
- An Inside Joke Led to Rumors That Prince Had A Cameo in Fargo.
Fargo’s opening scene memorably features a bird in flight set against the frigid Minnesota landscape. The incident was unscripted, as were memorable bird cameos in Barton Fink and Blood Simple. Joel Coen has commented “We have an uncanny ability to make birds do what we want them to do.”
The Coens' previous film, 1994's The Hudsucker Proxy, had by far their largest budget to date at the time with $25 million. It was also by far their biggest flop, earning less than $3 million at the box office. For Fargo, the Coens returned to a much more modest budget of $7 million, but ended up taking in$60 million at the box office.
Roger Ebert called Fargo "one of the best films I've ever seen" and added that "films like Fargoare why I love the movies." Both Siskel and Ebert named it their favorite movie of 1996.
Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including McDormand and Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According todialect coach Larissa Kokernot, who also ...
Fargo received some understandable backlashfrom Minnesotans and North Dakotans for portraying their neck of the American woods as being full of simple, funny-talking folks. Indeed, in the movie's DVD commentary, native Minnesotan Joel Coen referred to the state as “Siberia with family restaurants.” In 1997, then-mayor of Brainerd Bonnie Cumberland ...
Before taking on the role of Wade Gustafson, the rich and hardened father of the kidnapped Jean Lundegaard, actor Harve Presnell hadn’t taken a film role in 20 years and was focusing on stage work. Following his turn in Fargo, he popped up on screen in blockbusters like Face/Off, Saving Private Ryan, and Old School.
Despite the title, only the opening scene—where Jerry meets with Carl and Gaear to reveal the plan to kidnap his wife and hold her for ransom—takes place in Fargo. Most of the movie takes place in either Brainerd or the Twin Cities area. According toJoel Coen, “'Fargo' seemed a more evocative title than ‘Brainerd’” and that’s the only reason why th...
Two of the Coens' favorite plot devices—stolen or missing money and kidnapping—feature in many of the brothers' movies (Blood Simple; The Big Lebowski; O Brother, Where Art Thou?; The Man Who Wasn’t There; The Ladykillers; No Country For Old Men; and Burn After Reading included. Alongside 2009's A Serious Man, it’s also one of two Coen films set pr...
Throughout the entire movie, Peter Stormare’s character—Gaear Grimsrud—has just 16 lines of dialogue. By comparison, his chatty accomplice Carl Showalter (played by frequent Coen collaborator Steve Buscemi) has more than 150. This turns up as a running Coen brothers joke in The Big Lebowski, where Buscemi’s character Donny is constantly being told ...
The Coens provided anyone willing to stick around for the extended credits to a bit of a Minnesota insider joke. The role of “Victim in the Field” is credited to a scribble resembling Prince’s “Love Symbol,” which the late singer went by between 1993 and 2000. This spurred rumors that Prince had a hidden cameo in the film. Anyone paying attention, ...
Aug 4, 2020 · Aug 4, 2020. -- The films of the Coen Brothers are almost all original stories, however, they are very much informed by the locations and time periods in which they are set. They also draw on...
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Mar 8, 2021 · Posited as a “true crime” film by the Coen Brothers, Fargo is based on certain real events to an extent, but most of the details have been fictionalised and altered. According to the brothers, this was a subversive experiment to toy with the voyeuristic expectations of the audience.
