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- Alien, directed by Ridley Scott, is a science fiction horror film that follows the crew of the commercial spacecraft Nostromo. Upon investigating a distress signal on a distant moon, they discover a deadly extraterrestrial lifeform.
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Jan 7, 2018 · The alien itself is a monstrous creature, but it is drawn in a very lascivious way with an eroticised form; the alien has an implicit but powerful sexuality. The alien actually combines male and female traits.
Alien is a 1979 science fiction horror film directed by Ridley Scott and written by Dan O'Bannon, based on a story by O'Bannon and Ronald Shusett. It follows a spaceship crew who investigate a derelict spaceship and are hunted by a deadly extraterrestrial creature.
Apr 17, 2020 · For the xenomorph, their reptilian appearance conveys the notion of an extremely cold, calculated predatory instinctual incarnation, with no use for emotion. As Ash explains, they are a pure, beautiful silicon based lifeform (like himself, or so he believes) and is thus superior to humanity.
- The Human-Shaped Enigma
- Waking Up
- Parker’s Predictions
- Side Note: The SOS
- The Ship and The Sublime
- Aliens Everywhere
- The Invisible Visible
- The Favourite Child
- Final Foreshadowing
- What to Read Or Watch Next
The film’s first interior shots of the Nostromo convey an awful lot of info without a single spoken word. The ship is deserted but, given the lights are on and there’s no carnage, we can assume this is exactly as it should be. When the computer wakes up,it resolves the puzzle: this ship is in hibernation mode, and so are its crew. Hence, for now, t...
That Gothic stories – like Alien – are preoccupied with death, and ways of dying, and the moments before death, almost goes without saying. In a similar fashion, though, they’re also often about sleep and dreaming, states that look like death from the outside, and can be just as unknowable. Alien, then, begins with the crew fast asleep, frozen – as...
Breakfast on the Nostromo once more foreshadows multiple aspects of the story to come. Notably, we don’t see Ash tucking in. While he seems to go through the motions, we only actually see him consuming a white liquid. Only later do we realise it’s because, as an android, he doesn’t need to eat. Incidentally, when do we see all that white liquid aga...
Ship’s computer Mother picks up a transmission.As protocol dictates, she reroutes the ship and wakes the crew so they can investigate.However, Ash has secret orders to collect an alien life form from the signal’s source, and return it to Earth at any cost. Crew expendable.But Ash is a new crew member. Remember how Parker says he’s sitting in his seat? Dallas later reveals Ash replaced his usual science officer at the last minute. The company even gives Ash a bigger...When Dallas, Kane and Lambert land on the planet, they find themselves in a recognisably Gothic landscape. It’s a dark and stormy night; even the wind shrieks like it’s straight out of hell. Notably, everything they encounter is oversized, with shades of the Gothic “sublime”. To feel the sublime is to feel terror, awe, angst and wonder, all at once...
There’s more than one alien to this story. Firstly, the crew find the remains of an alien life form when they find the dead Engineer. However, even the creature they accidentally acquire evolves rapidly from egg to face-hugger to chest-buster and, “finally”, xenomorph. (See also Life.) But the xenomorph isn’t the ship’s only “alien” interloper eith...
Like many aspects of this story, Ash hides in plain sight. His human disguise and predatory tactics render him invisible and deadly. Just like the alien. Thus Kane finds the eggs but doesn’t sense their danger. He doesn’t even appear to wonder where the creature is that laid all of them. The face-hugger then leaps out, attaching itself to Kane and ...
So much has been written about Alien’s metaphors of motherhood, pregnancy and creation that I won’t repeat it here (see instead Prometheus, and Covenant). That said, what’s neat (i.e., nicely morbid) about the Alien story is the way it pits its “children” at each other’s throats. Speaking of throats, Kane describes his experience with the face-hugg...
There’s another significant moment of foreshadowing at the end of Alien. As Ripley fires up the detonation sequence, the instructions clearly spell out the risk, once more telling us what comes next: Ripley, not expecting to find the xenomorph standing between her and shuttle, attempts to reverse the detonation procedure … but misses the window by ...
Aliens, Prometheus, Romulusetc (franchise)Blade Runner (Ridley Scott, AI, visions of the future)May 12, 2022 · PARATEXT. Alien (1979) Trailer. The 1979 Alien trailer has influenced countless horror trailers — because it’s a microcosm of horror itself from Vox. Logline: The crew of a commercial spacecraft encounter a deadly lifeform after investigating an unknown transmission. Forget the logline. Alien has one of the best taglines in the history of movies:
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Jul 22, 2016 · His distinct style of art, which he referred to as "biomechanical," combined both human and technological elements. For Ridley Scott's film, he designed the alien "xenomorph" as well as other assorted things the characters find on the distant planet.
Oct 26, 2003 · Alien. A discovery on an alien planet in "Alien." At its most fundamental level, “Alien” is a movie about things that can jump out of the dark and kill you. It shares a kinship with the shark in “ Jaws,” Michael Myers in “ Halloween,” and assorted spiders, snakes, tarantulas and stalkers. Its most obvious influence is Howard Hawks ...
