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      • Another major story element that still holds up after years of revisits is the reveal of Ian Holm's Ash being a synthetic human who turns on Ripley in an attempt to follow his orders and return the xenomorph to Weyland-Yutani on Earth.
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  2. Apr 17, 2020 · As Ash explains, they are a pure, beautiful silicon based lifeform (like himself, or so he believes) and is thus superior to humanity. Ash, working at the behest of the Company, is an A.I. droid disguised as a human and is, quite literally, a programmed assassin.

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  3. Jan 7, 2018 · Firstly, the alien threatens to absorb humanity by incorporating humans into its reproductive cycle. The human subject becomes a surrogate mother to incubate the alien. This represents dehumanisation by interspecies rape and monstrification.

  4. Apr 29, 2017 · For the xenomorph, their reptilian appearance conveys the notion of an extremely cold, calculated predatory instinctual incarnation, with no use for emotion. As Ash explains, they are a pure, beautiful silicon based lifeform (like himself, or so he believes) and is thus superior to humanity.

    • Jay Dyer
  5. resource.download.wjec.co.uk › alien-factsheet(Scott, 1979) - WJEC

    • According to The Independent, Alien is ‘one of the most influential films in recent history’ (2019). Alien follows the crew of a commercial spacecraft in 2122 who encounter a deadly lifeform after investigating an unknown transmission on a nearby moon. • Released in 1979, not only was Alien a commercial success, but it has been poured ...

    • It Was Once called Starbeast
    • It Could Have Starred Meryl Streep and Harrison Ford
    • It Was The Studio Chief's Idea to Make Ripley A Woman
    • Giger's Famous Designs Were Almost Used by Another Movie
    • The Original Alien Suit Was Translucent
    • The Original Kane Was Replaced
    • Two of The Actors Clashed with The Director
    • The Facehugger Shot Was Filmed Upside Down
    • Ash's Demise Utilized A Weird Mixture of Ingredients
    • The Actors Were Not Prepared For The Chest-Burster

    Screenwriter Dan O'Bannon was coming off a bad experience. He'd co-written and acted in Dark Star, the debut film from soon-to-be-famous Halloween director John Carpenter. Part sci-fi, part comedy, the movie was deeply cheesy, especially in the effects department, a fact O'Bannon loathed. He vowed to come up with something better, going on to conce...

    Sigourney Weaver is so associated with the character of Ripley that it's impossible to imagine anyone else inhabiting the role. Simply put, it made the then-unknown actress a star. The character was almost portrayed by someone else, though. During the casting process, it was narrowed down to Weaver and Meryl Streep, who was then hot off The Deer Hu...

    The screenplay O'Bannon and Shusett wrote was optioned and further developed by producers Walter Hill and David Giler. They conceived it as a story about "truck drivers in space," knowing that audiences would relate to the characters more if they seemed like average Joes who just happened to work in space. Fox studio head Alan Ladd came up with an ...

    One of the signature components of Alien's effectiveness is the design work by Swiss artist H.R. Giger. His distinct style of art, which he referred to as "biomechanical," combined both human and technological elements. For Ridley Scott's film, he designed the alien "xenomorph" as well as other assorted things the characters find on the distant pla...

    It was clear to everyone that Giger's work was profoundly disturbing. The question became how to transfer it to the screen in a way that would scare viewers without thoroughly turning them off. Fox worried that if Alien was too unsettling, audiences would stay away. For this reason, they initially resisted Giger's participation. Scott and the produ...

    One of the key ideas inherent in Alien's DNA was that the Nostromo crew should be diverse because, in this imagined future, corporations are in control and therefore can pull the best and brightest from anywhere. Scott followed through on this idea by employing a cast that included men and women, Caucasians and an African-American, and both America...

    By all accounts, Alien was a difficult shoot (much like its sequel). The Nostromo sets were claustrophobic. Keeping the film on budget was a constant struggle. And Scott, knowing he had the makings of something truly special if he didn't screw it up, was vigilant about getting everything, particularly the ominous tone, just right. Although they und...

    There are several iconic moments in Alien, and one of them is a scene in which Kane and other crew members stumble upon a lair of alien eggs. After an especially large egg unfurls its top flaps, Kane bends over to take a look at whatever is inside. Some kind of multi-limbed creature, which has since come to be known as a "face-hugger," violently sp...

    Another iconic moment involves the character of Ash, played by Ian Holm. Unbeknownst to the Nostromo crew, he is an android, sent by the Weyland-Yutani Corporation to bring back the xenomorph. The crew members, it turns out, are mere pawns, and everyone discovers his true nature during a tense moment. Ash tries to choke Ripley after she confronts h...

    Without a doubt, the single most famous scene in Alien involves the demise of Kane. The face-hugger has somehow implanted its seed into his stomach. This revelation comes when he abruptly begins having pain during mealtime. The other crew members place his convulsing body upon the table. To their horror, a small, slimy creature bursts through his c...

    • Mike Mcgranaghan
  6. May 12, 2022 · Keeping with the mother theme, the alien life form is about to utilise human bodies as hosts for its own incubation and procreation purposes. Then there’s the insect symbolism. Oh boy. Brilliantly, Alien interweaves a 1970s concept of computers with the chirruping of insects.

  7. en.wikipedia.org › wiki › Alien_(film)Alien (film) - Wikipedia

    Alien is a 1979 science fiction horror film directed by Ridley Scott and written by Dan O'Bannon, based on a story by O'Bannon and Ronald Shusett. It follows a spaceship crew who investigate a derelict spaceship and are hunted by a deadly extraterrestrial creature.

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