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Roughly the same clothing for each scene
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- Stand-ins are the people who double for the cast during rehearsals, allowing the camera and lighting crews to finalize their equipment settings and movement. They have the same general build and coloring as their designated actor, and the wardrobe department gives them roughly the same clothing for each scene.
entertainment.howstuffworks.com/stand-in.htm
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They’re both wearing the same outfit as episode 2 (don’t remember if they wore the same thing in episode 1). But, I remember in episode 2 contestants talked about how they “studied” the night before.
They have the same general build and coloring as their designated actor, and the wardrobe department gives them roughly the same clothing for each scene. Some stand-ins are utility stand-ins , doubling for a variety of actors on a shoot.
Dec 4, 2023 · Wear the same costume as the actor. Be prepared to do multiple takes of a scene. Assist with setting up props and equipment. Provide feedback to the director and actors. Remain in character while on set. Help the actors with their lines and cues. Work closely with the camera crew to ensure good shot angles.
Dec 31, 2023 · A stand-in is a person who substitutes for an actor before filming for the purpose of setting up the scene's lighting and camera setup. They are not stunt doubles or body doubles, who replace actors in scenes that require specialized skills or nudity.
- Utility Stand-In
- Single Camera Stand-In
- Multi-Camera Stand-In
- Upstage
- Downstage
- Camera Left
- Camera Right
- Sides
- Blocking
- Color Cover
Utility Stand-Ins are typically used for light and camera rehearsals and may stand in for actors of varying looks, genders, and ethnicities. Matching the height of actors is more important than matching a look. If you’re booked in this role, you may be standing in for multiple actors on the same project.
Single Camera Stand-Ins must often match the principal actor in height, build, hair color, and complexion. They are mainly used for lighting and camera setups.
Refers to Stand-Ins on a multi-camera production. Most often filmed in front of a live studio audience and utilize 3-4 cameras at a time on a 3-wall set.
If you’re facing the camera (or audience) this is the area behind you. If a Director asks you to move upstage, they want you to move towards the back of the set.
Downstage is in the direction of the camera or audience. To move downstage, you would move to the front of the set.
This refers to the point of view of the camera. If you’re facing the camera and the Director instructs you to move camera left, you will move to your right.
This refers to the point of view of the camera. If you’re facing the camera and the Director instructs you to move camera right, you will move to your left.
Miniaturized call sheet and script pages for the scenes being shot that day given to you by production so you know what’s happening in a scene and can take notes. Stand-Ins mainly use sides in single camera projects, and are often given full episode scripts for multi-cam productions.
Determining actors’ movements in a scene. As a TV and film Stand-In, it’s important to take notes and pay attention to all your movements in a scene in case you need to relay them to the principal actor.
Color cover refers to wearing wardrobe similar in color and pattern to what the principal actor will wear in a scene. This helps the crew light and block the scene correctly.
Apr 10, 2023 · When working as a Stand-In, you may rehearse several scenes in a row that take place in the same location. It can be easy to confuse the details of what scene you're working on, so the more detailed notes you take, the easier it will be to accurately relay information to the actor.
Jan 31, 2022 · When working as a Stand-In, production may have wardrobe for you or ask you to bring color cover. Color cover means clothing that is similar in color and pattern to what the principal actor is wearing.
