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The M.Zuiko Digital ED 150-600mm F5.0-6.3 IS provides exceptional reach with uncompromised quality. Up to a 1200mm 35mm equivalent field of view, combined with market-leading 5-axis sync IS stabilization and IPX1 certified weather sealing, makes this lens the ultimate partner for wildlife and bird photography enthusiasts on the go.
- $2,299.99 - $2,719.97
Mar 21, 2024 · OM System M.Zuiko Digital ED 150-600mm f/5.0-6.3 lens. ★★★★★. This lens is for the wildlife/nature photographer. The 150-600mm is well-built, weather-sealed and looks to me like it can handle tough professional use. It can also match up with the 1.4 tele extender and the 2.0 tele extender for even more reach.
- Bob Coates
Feb 12, 2024 · A premium option in the company's lineup, the 150-600mm f/5-6.3 comes with a nice range of features, including: Full frame equivalent: 300 to 1200mm. Optical Design: Includes four Super ED and two ...
Apr 7, 2008 · The Zuiko Digital 14-42mm 1:3.5-5.6 ED is the standard kit lens which Olympus supply with their lower-tier DSLRs, including the E-420 and E-510. Announced in September 2006 to accompany the launch of the E-400, it shares that camera's defining characteristic, being remarkably compact in size. Indeed it takes advantage of the relatively small size of the Four Thirds sensor to be comfortably the ...
- (3)
- OM System / Olympus
- Andrew Westlake
- 28-84mm
- Focal Range
- Focusing
- Chromatic Aberrations
- Light fall-off
- Macro
- Bokeh
At the 14mm end, the diagonal angle of view is 75°, i.e. the same as that of a 28mm lens in a 35mm system. Field of view at 14mm At the 42mm end, the angle of view is 29°. Field of view at 42mm
With the Olympus M.ZUIKO Digital ED 14-42mm f3.5-5.6 EZ lens attached to an Olympus OM-D E-M10 body, focusing is extremely quick in most situations. It's capable of locking focus on a subject almost instantly, even when alternating between close and faraway subjects. The lens also has the 'MSC' - Movie & Still Compatible - designation, with quick a...
Chromatic aberrations, typically seen as purple or green fringes along contrasty edges, are quite prevalent, as shown in the examples below.
There is some light fall-off evident in the corners at both ends of the focal range, plus some obvious barrel distortion at 14mm, but nothing too unexpected for this kind of lens. Vignetting at 14mm Vignetting at 42mm
Although Olympus does not call this a macro lens, with a close focusing distance of 20cm and a maximum magnification of 0.23x, it actually puts up a pretty good close-up performance at the long end, as demonstrated by the example below. Close-up performance
Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. In the Olympus M.ZUIKO Digital ED 14-42mm f3.5-5.6 EZ, Olympus employed a five-bladed circular diaphragm, which isn't usually conductive to a pleasant bokeh, but in actuality the results aren't too bad...
- Olympus
- Mark Goldstein
Mar 1, 2024 · OM System’s/Olympus’ 100-400mm f/5-6.3 IS is one of the larger lenses made for Micro Four Thirds. The OM System/Olympus lens also compares less favourably with its direct rival, the Panasonic Leica DG Vario-Elmar 100-400mm /4-6.3 Asph Power OIS. It’s two-thirds of an f/stop slower than its rival at 100mm, it is considerably larger and ...
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Like the Panasonic lens, the M.Zuiko Digital ED 100-400mm f/5.0-6.3 IS lens covers focal lengths equivalent to 200-800mm in 35mm format. Its optical design contains 21 elements in 15 groups and includes four ED (Extra-low Dispersion), two Super HR (High Resolution) and two HR elements to keep resolution high across the entire zoom range.
