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Includes unlimited streaming of Destroyer's Rubies via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Download available in 16-bit/44.1kHz. ships out within 3 days
anetuntev When I heard the first single from this album (Tintoretto), I knew I just had to see this band live. The nearest concert was 2000 km away from me. I decided to take the plane - and it was worth it. So, it was this album that has led me to the mind-blowing experience, which is a Destroyer concert. Favorite track: It Takes a Thief.
- Getting Started
- Next Steps
- Deep Cuts
Widely—and rightly, in this writer’s opinion—considered the best Destroyer record, this 2006 opus is the best place to start in order to figure out whether or not the world of Dan Bejar is one where you’d like to spend time. A joyous, loose-limbed collection of songs, Rubies turns classic rock inside-out, writing lyrics jam-packed with coy cultural references (“Have I told you lately that I love you?/ Did I fail to mention there’s a sword hanging above you?”) and hilarious surrealist koans (“...
An unexpected late-career success, the pastel-colored grooves of Kaputt resulted in Destroyer playing their biggest rooms to date, the album’s lithe “yacht rock” sound accidentally syncing up with a mainstream musical moment for the first—and only—time in Bejar’s career. “I didn’t make it with the intention of it becoming popular,” Bejar says. “My daughter had just been born, and so I didn’t know anything about ‘chillwave’ or any of the things I would have to answer [interview] questions abou...
Destroyer’s 2020 masterpiece—the touring behind which had just completed when pandemic lockdowns began—marked the beginning of a new approach. While, musically, Rubies and Kaputt are poles apart—the former an ambling Dylan-esque classic rock redux, the latter a pink martini, easy listening smooth jazz record—both at least had the feeling of musicians in a room, playing together. Have We Met, by contrast, feels like two opposite forces battling one another—Bejar, who assembles the loose struct...
Described by Bejar as a “kiss-off to Vancouver,” Streethawk was the first record where it seemed that something resembling a “Destroyer sound” was beginning to come into focus. After the relatively larval City of Daughters and Thief, the songs on Streethawk opened up to something larger and richer. “The Sublimation Hour” has the grand, glammy swagger of Ziggy Stardust, with crashing pianos and an uncharacteristically impassioned vocal from Bejar, and “The Crossover” is held together by a wiry...
“This Night is like the dark horse of the catalog,” Bejar says of this 2002 album. “It’s considered a total misfire, though it has some defenders who had never listened to Destroyer before and have never listened to Destroyer since.” As is often the case with Bejar, it’s difficult to tell whether or not he’s being serious. This Night feels like a corner-turn in the catalog, an album that seems to point the way to where Bejar would head next. Loose, ambling jams like “Holly Going Lightly” and...
“With ken, writing those songs was the first time that I picked up the guitar in probably eight years,” Bejar says. The album’s genesis was an unusual one in other ways, too: Bejar, in his own words, “threw an acoustic guitar in the back of the car and just did this kind of troubadour tour,” playing solo shows across America and then going back to his hotel room at night and demo’ing the songs that would eventually become ken. “I wanted the songs to be short and simple, little blasts that wer...
City of Daughters & Thief
The early part of the Destroyer catalog is a mix of cassette releases and oddball 7”s, but it’s generally considered that these two records, 1998’s City of Daughters and Thief, which followed two years later, are where the Destroyer story really starts. Daughters sounds like what it is: an early effort; its songs are a lot more conventionally structured, the bulk of them built around strummed acoustic guitar and Bejar’s unadorned voice. “It’s kind of the most natural or most unguarded present...
By Bejar’s own estimation, he was feeling “morose” when he was writing the follow-up to the breakthrough success of Kaputt, and aside from the brilliant and roaring E Street Band of pastiche “Dream Lover,” the record’s jarring tonal shifts perhaps reflect Bejar’s own mood. “I think there’s a certain moroseness one experiences in their early 40s that is more universal than just me,” he says. “But I will say that if someone wants to know what kind of music Ilike, then they go listen to that rec...
“It was fraught, you know,” Bejar says of this 2008 follow-up to the acclaimed Rubies. “We tried approaching it the same way we approached Rubies but with a different band line-up, and it just didn’t come together. I had the idea that we should do a shoegaze record, which is not at all what the record ended up sounding like.” Trouble in Dreams is a prickly entry in the Destroyer catalog—the people who love it really love it; to others, it has all of the elements that make a great Destroyer re...
Destroyer "Have We Met" Enamel Pin. IT'S BACK! We created an exclusive Destroyer enamel pin to celebrate the release of Have We Met. These sold out the first go-round and we're making them available again for a limited time in honor of Destroyer's 2022 release, LABYRINTHITIS. Measures approximately 1.25” across.
2 years ago. 1. Love Like This (DJ Spen & Karizma Vocal) 187. 2. Love Like This (Deepah Dub) 107. 3. Love Like This (DJ Spen & Karizma Instrumental)
Destroyer discography and songs: Music profile for Destroyer, formed 1995. Genres: Indie Rock, Chamber Pop, Art Pop. Albums include Kaputt, Destroyer's Rubies, and LABYRINTHITIS.
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Destroyer (band) Destroyer is a Canadian indie rock band from Vancouver, formed in 1995. The band is fronted by founding member Dan Bejar, [ 3 ] with a collective of regular band members and collaborators joining him in the studio and during live performances. Alongside Bejar, Destroyer currently includes longtime producers John Collins (bass ...
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