Search results
The Russian State Institute of Performing Arts (Russian: Российский государственный институт сценических искусств), formerly known as St Petersburg Theatre Arts Academy, formerly Leningrad State Institute of Theatre, Music, and Cinema (LGITMiK), is a theatre school in Saint Petersburg. It is ...
The School of Acting was absorbed in 1961, [4] and in 1962 the Leningrad (State) Institute of Theatre, Music and Cinematography (LGITMiK) [3] was created, after the merging of the Ostrovsky Leningrad Theatre Institute (named after A. N. Ostrovsky and also known as the A. N. Ostrovsky Leningrad State Theatre Institute) and the Leningrad ...
Graduated from the Leningrad Institute of Theatre, Music and Cinema (course taught by Ilya Segal). From 1979–1980 was set designer at the Young Viewers´ Theatre (Tomsk). From 1980–1983 was Principal Designer of the Vologda Drama Theatre. From 1983–1985 was designer with the Leningrad State Comedy Theatre (State Academic Akimov Comedy ...
From 1979 to 1983 he designed sets and costumes for leading Russian theater companies including Alexandrinsky (Pushkin's) Theater and Akimov Comedy Theater in Leningrad. In 1979–80, with a group of peers from the Theater Academy he co-founded Tomsk Children's Theater in Siberia. In 1983, Yelchin emigrated to the United States.
After leaving the Institute, Raikin performed at the Leningrad Theater of Working Youth (TRAM), the Leningrad Komsomol Theater, and the New Theater. Simultaneously he debuted on the variety stage. He acted in the films Ognennye gody (Fiery Years; 1939), directed by Vladimir Korsh-Sablin, and Doktor Kaliuzhnyi (1939), directed by Erast Garin and Khesia Lokshina.
It was perhaps Leningrad’s wartime past—as a city that had survived through the efforts and suffering of civilians, not just the glorious feats of the armed forces, with their rigid status hierarchy—that shaped this distaste for arrogance and “toadyism.” Certainly, war memory was an integral part of the studio world (figure 3.2). On ...
Jun 4, 1989 · (A professor in Leningrad will ask me about the theater historian John Gassner's current projects and what Lunt and Fontanne have done lately. I tactfully inform him of their not so recent deaths ...
