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Oct 24, 2023 · Antoine Hennion has shown that learning to play music involves an immersion within a culture that has rules, languages and rituals and as a result ‘music is a form of sociology’ (Hennion Citation 2020, 292).
May 24, 2017 · A sociology of music tradition can be traced back to the birth of the discipline, although single works providing a comprehensive overview of this tradition are relatively few. The field exists because methodological sociology offers a distinct perspective on how music is created, received, and used in everyday life.
Dec 1, 2014 · The sociology of music has often concentrated less on analysing and understanding the specificity and meanings of musical material culture as both an object and a process and more about ransacking music for insights into wider social relations like class, race and gender.
- Martyn Hudson
- 2014
Aug 1, 2010 · Answering these questions reveals that music provides an important and engaging purchase on topics that are of great concern to sociologists of all stripes — topics that range from the...
This article examines how scholarship in the sociology of music has been dominated by an economic framework known as the production/consumption paradigm. It first traces the history of the production/consumption paradigm through its appearance in key texts, showing how it changes as it passes from Theodor W. Adorno and Pierre Bourdieu to the ...
This article attempts to look at the term social pattern and how it is used in sociology. The reason for doing this is that the term social pattern is used very frequently in sociology but has neither been discussed nor defined (see Tables 1 and 2).
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the sociology of music was long marked by scattered works that failed to generate sustained scholarly interest. Cruz (2002: 16) traces the roots of music sociology back to the autobiography of Frederick Douglas ([1845] 1999), wherein discussions of slave music (i.e., spirituals) demonstrated “paths to the study of music as fathomable inner