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  1. Feb 13, 2017 · In 1982 Steven Paul Scher identified three general categories to help us understand the rich connections between music and literature. 1 The category of “music in literature”—which includes the literary “imitation…of the acoustic quality of music,” adaptations of “larger musical structures and patterns and the application of ...

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      Reading Music through Literature: Introduction In 1982...

  2. In this article I suggest a typology with five categories to describe five meanings of space I identified in the recent literature of music and sound art: metaphor, acoustic space, sound spatialisation, reference and location. With this typology I expect to clarify the contemporary uses of space and spatial concepts in music and sound art.

  3. Nov 4, 2014 · I. KANIA'S DEFINITION. Kania defines music as: “ (1) any event intentionally produced or organized (2) to be heard, and (3) either (a) to have some basic musical feature, such as pitch or rhythm, or (b) to be listened to for such features.” 2 He thinks many avant garde works flout (3a).

  4. May 29, 2020 · Summary. This chapter examines noise in literature. Rather than attempt to trace the myriad ways in which ‘noise’ has entered into literary works, the chapter deals with literature’s relationship to what Aldous Huxley described as the ‘age of noise’, the particular acoustic conditions produced by the modern mechanical environments and ...

  5. What type of meaning is provided by music in literature? This is pursued by examining the three modernist authors James Joyce, Samuel Beckett, and Hugo von Hofmannsthal, who were all inspired by music, but in different manners. In Ulysses Joyce uses language to...

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  6. „Claude Debussy said, “Music is the space between the notes.” As a minimalist, I love this quote: it reminds us that beauty needs a certain amount of emptiness to be appreciated. The space between notes allows them to resonate, reverberate, and reach their full measure of expression“

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  8. viva.pressbooks.pub › openmusictheory › back-matterGlossary – Open Music Theory

    Beginnings are often signaled by establishment of a new melody or repetition of the beginning of a previously heard melody, emphasis on tonic harmony (especially root position), a melody that opens up musical space by ascending, a statement of a motive that is developed through the remainder of the phrase.

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